Made in Australia and Aotearoa/New Zealand studies in popular music / edited by Shelley Brunt and Geoff Stahl.

Other author Brunt, Shelley.
Other author Stahl, Geoff, 1968-
Format Electronic
Publication InfoNew York, NY : Routledge, 2018.
Descriptionxiii, 238 pages : illustrations ; 25 cm.
Supplemental ContentFull text available from Taylor & Francis eBooks
Subjects

SeriesRoutledge global popular music series
Routledge global popular music series. ^A1257122
Contents Introduction. This is My City : Reimagining Popular Music Down Under -- Part I. Place-Making and Music-Making. Singing about the City : The Lyrical Construction of Perth ; The Phoenix and the Bootleg Sessions : A Canberra Venue for Local Music ; Lorde's Auckland : Stepping Out of "the Bubble" -- Part II. Rethinking the Musical Event. Popular Music and Heritage-Making in Melbourne ; The "Dunedin Sound" Now : Contemporary Perspectives on Dunedin's Musical Legacy ;
Contents The Construction of Latin American Musical Identity in Melbourne -- Part III. Musical Transformations : Decline and Renewal. Outside the Square : Songs for Christchurch in a Time of Earthquakes ; The Making and Remaking of Brisbane and Hobart : Music Scenes in Australia's "Second-Tier" Cities ; Urban Melancholy : Tales from Wellington's Music Scene -- Part IV. Global Sounds, Local Identity. Singing the Lord's Song in a Strange City : An Examination of the Nexus Between the Southern Gospel Choir and the City of Hobart, Tasmania ; "I Rep for My Mob" : Blackfellas Rappin' from Down-Unda ;
Contents Technomotor Cities : Adelaide, Detroit and the Electronic Music Pioneers ; Giving Back in Wellington : Deep Relations, Whakapapa and Reciprocity in Transnational Hip Hop ; The Music City : Australian Contexts -- Coda. Site-ing the Sounds : Discovering Australia and New Zealand's Popular Music in the United States -- Afterword. Negotiating Trans-Tasman Musical Identities : Conversations with Neil and Tim Finn.
Abstract "Made in Australia and Aotearoa/New Zealand: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century popular music of Australia and Aotearoa/New Zealand. The volume consists of chapters by leading scholars of Australian and Aotearoan/New Zealand music, and covers the major figures, styles, and social contexts of pop music in Australia and Aotearoa/New Zealand. Each chapter provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Australian or Aotearoan/New Zealand popular music. The book first presents a general description of the history and background of popular music in these countries, followed by chapters that are organized into thematic sections: Place-Making and Music-Making; Rethinking the Musical Event; Musical Transformations: Decline and Renewal; and Global Sounds, Local Identity."-- Provided by publisher.
Bibliography noteIncludes bibliographical references, discographies, filmographies, and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2017568263
ISBN1138195685 (hbk.)
ISBN1138195693 (pbk.)
ISBN9781138195684 (hbk.)
ISBN9781138195691 (pbk.)
ISBNebook

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