Tools

LEADER 04632nam a2200529 i 4500

001 ssj0002855933;

003 WaSeSS;

005 20251212090320.0;

006 m d ;

007 cr n ;

008 220127s2022 enk sb 001 0 eng d;

010 a| 2022004013;

020 a| 9781003166139q| (ebook);

020 z| 9780367762544q| (hardback);

020 z| 9780367762551q| (paperback);

035 a| (WaSeSS)ssj0002855933;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| ML3849;

082 00 a| 781.5/42| 23;

245 00 a| Immediacy and the mediations of musich| [electronic resource] :b| critical approaches after Theodor W. Adorno /c| edited by Gianmario Borio.;

250 a| [01.];

260 a| Abingdon, Oxon ;a| New York :b| Routledge,c| 2023.;

300 a| 1 online resource.;

490 0 a| Musical cultures of twentieth century;

504 a| Includes bibliographical references and index.;

505 0 a| Introduction / Gianmario Borio -- PART I. The Dynamics of Musical Mediation. 'Music is the Logic of Judgmentless Synthesis' : Adorno on Music, Language, and Mediation / Dietrich Mersch ; Beyond Mediation / Esteban Buch ; Radio Voices : Progressive Broadcasting between Aesthetics and Mass Pedagogy / Michela Garda -- PART II. Notation and Performance. 'Jedes Notenzeichen ... ein Schlag' : Rethinking Adorno's critique of notation / Andreas Meyer ; Towards a Practice of Musical Performance Creativity / Daniel Leech-Wilkinson ; A 'Radical Mediation' Approach to the Text/Performance Relation in Music / Alessandro Cecchi -- PART III. Music on Screen. Instrumentalising Music for the Film : Pianos, Harps, and Fiddles in Backbreaking Moves of Social Labour / Lydia Goehr ; Composing for the Films in the Age of Digital Media / James Buhler -- PART IV. Recorded Sound in Changing Environments. Adorno and Jazz : A Critical Revision from an Audiotactile Perspective / Vincenzo Caporaletti ; 'To become transformed into an insect, man needs that energy which might possibly achieve his transformation into a man' : Adorno, the domination of nature and the becoming-insect of music / Makis Solomos.;

506 a| Available only to authorized users.;

520 a| "Adorno believed that a circular relationship was established between immediacy and mediation. Should we now say that this model with its clear Hegelian influence is outdated? Or does it need some theoretical integration? This volume addresses these questions by covering the performance of music, its technological reproduction and its modes of communication - in particular, pedagogy and dissemination through the media. The book's four parts each deal with different aspects of the mediation process. The contributing authors outline the problematic moments in Adorno's reasoning but also highlight its potential. In many chapters the pole of immediacy is explicitly brought into play, its different manifestations often proving to be fundamental for the understanding of mediation processes. The prime reference sources are Adorno's Current of Music, Towards a Theory of Musical Reproduction and Composing for the Films. Critical readings of these texts are supplemented by reflections on performance studies, media theories, sociology of listening, post-structuralism and other contiguous research fields"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

588 a| Description based on print version record.;

600 10 a| Adorno, Theodor W.,d| 1903-1969x| Criticism and interpretation.=| ^A30472;

650 0 a| Mass media and music.=| ^A51515;

650 0 a| Musicx| Philosophy and aesthetics.=| ^A18895;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Borio, Gianmario.?| UNAUTHORIZED;

776 08 i| Print version:t| Immediacy and the mediations of musicb| [01.]d| Abingdon, Oxon ; New York : Routledge, 2023z| 9780367762544w| (DLC) 2022004012;

856 40 z| Full text available from Taylor & Francis eBooksu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781003166139;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 6671384;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6671384-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 12/19/2025x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6671384-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 12/19/2025x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6671384-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 12/19/2025x| EBOOKz| JERESOURCE;

Immediacy and the mediations of music critical approaches after Theodor W. Adorno / edited by Gianmario Borio.

Other author	Borio, Gianmario.
Format	Electronic
Edition	[01.]
Publication Info	Abingdon, Oxon ; New York : Routledge, 2023.
Description	1 online resource.
Supplemental Content	Full text available from Taylor & Francis eBooks
Subjects	Adorno, Theodor W., 1903-1969--Criticism and interpretation. Mass media and music. Music--Philosophy and aesthetics.

Series	Musical cultures of twentieth century
Contents	Introduction / Gianmario Borio -- PART I. The Dynamics of Musical Mediation. 'Music is the Logic of Judgmentless Synthesis' : Adorno on Music, Language, and Mediation / Dietrich Mersch ; Beyond Mediation / Esteban Buch ; Radio Voices : Progressive Broadcasting between Aesthetics and Mass Pedagogy / Michela Garda -- PART II. Notation and Performance. 'Jedes Notenzeichen ... ein Schlag' : Rethinking Adorno's critique of notation / Andreas Meyer ; Towards a Practice of Musical Performance Creativity / Daniel Leech-Wilkinson ; A 'Radical Mediation' Approach to the Text/Performance Relation in Music / Alessandro Cecchi -- PART III. Music on Screen. Instrumentalising Music for the Film : Pianos, Harps, and Fiddles in Backbreaking Moves of Social Labour / Lydia Goehr ; Composing for the Films in the Age of Digital Media / James Buhler -- PART IV. Recorded Sound in Changing Environments. Adorno and Jazz : A Critical Revision from an Audiotactile Perspective / Vincenzo Caporaletti ; 'To become transformed into an insect, man needs that energy which might possibly achieve his transformation into a man' : Adorno, the domination of nature and the becoming-insect of music / Makis Solomos.
Abstract	"Adorno believed that a circular relationship was established between immediacy and mediation. Should we now say that this model with its clear Hegelian influence is outdated? Or does it need some theoretical integration? This volume addresses these questions by covering the performance of music, its technological reproduction and its modes of communication - in particular, pedagogy and dissemination through the media. The book's four parts each deal with different aspects of the mediation process. The contributing authors outline the problematic moments in Adorno's reasoning but also highlight its potential. In many chapters the pole of immediacy is explicitly brought into play, its different manifestations often proving to be fundamental for the understanding of mediation processes. The prime reference sources are Adorno's Current of Music, Towards a Theory of Musical Reproduction and Composing for the Films. Critical readings of these texts are supplemented by reflections on performance studies, media theories, sociology of listening, post-structuralism and other contiguous research fields"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Source of description	Description based on print version record.
Issued in other form	Print version: Immediacy and the mediations of music [01.] Abingdon, Oxon ; New York : Routledge, 2023 9780367762544
Genre/form	Electronic books.
LCCN	2022004013
ISBN	9781003166139 (ebook)
ISBN	(hardback)
ISBN	(paperback)

Availability

Library	Location	Call Number	Status	Item Actions
	Electronic Resources	Access Content Online	✔ Available

Immediacy and the mediations of music critical approaches after Theodor W. Adorno / edited by Gianmario Borio.

Click here for more information about this title

Availability