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010 a| 2019020408;

020 a| 9780367199197q| (hardback);

020 z| 9780429244094q| (ebook);

035 a| (WaSeSS)ssj0002189897;

040 a| DLCb| engc| DLCd| WaSeSS;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| TR886.9b| .B475 2020;

082 00 a| 777/.552| 23;

100 1 a| Betancourt, Michael,d| 1970-?| UNAUTHORIZED;

245 10 a| Ideologies of the real in motion graphics and title sequencesh| [electronic resource] /c| Michael Betancourt.;

250 a| 1.;

260 a| New York :b| Routledgec| 2020.;

263 a| 1910;

300 a| pages cm;

490 0 a| Routledge studies in media theory & practice ;v| 8;

504 a| Includes bibliographical references and index.;

506 a| Available only to authorized users.;

520 a| "This book explores the question of realism in motion graphics. Specifically, it explores how understanding the role of realism in the history of title sequences in film can illuminate discussions raised by the advent of digital cinema. Ideologies of the Real in Motion Graphics and Title Sequences fills a critical and theoretical void in the existing literature on motion graphics. Developed from careful analysis of Andr©♭ Bazin, Stanley Cavell, and Giles Deleuze's approaches to cinematic realism, this analysis uses title sequences to engage the interface between narrative and non-narrative media to consider cinematic realism in depth through highly detailed close readings of the title sequences for Kolchak: The Night Stalker (1974), The Number 23 (2007), Bullitt (1968), The Kingdom (2008), Blade Runner: 2049 (2017) and the James Bond films. From this critique, author Michael Betancourt develops a modal approach to cinematic realism where ontology is irrelevant to indexicality. His analysis shows the continuity between historical analogue film and contemporary digital motion pictures by developing a framework for rethinking how realism shapes interpretation"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Motion picturesx| Titling.=| ^A564093;

650 0 a| Credit titles (Motion pictures, television, etc.)=| ^A588921;

650 0 a| Graphic design (Typography)=| ^A399757;

650 0 a| Realism in motion pictures=| ^A208994;

650 0 a| Motion picturesx| Production and directionx| Technological innovations.=| ^A23065;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Taylor & Francis eBooksu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780429244094;

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Ideologies of the real in motion graphics and title sequences / Michael Betancourt.

Author/creator	Betancourt, Michael, 1970-
Format	Electronic
Edition	1.
Publication Info	New York : Routledge 2020.
Description	pages cm
Supplemental Content	Full text available from Taylor & Francis eBooks
Subjects	Motion pictures--Titling. Credit titles (Motion pictures, television, etc.) Graphic design (Typography) Realism in motion pictures Motion pictures--Production and direction. --Technological innovations.

Series	Routledge studies in media theory & practice ; 8
Abstract	"This book explores the question of realism in motion graphics. Specifically, it explores how understanding the role of realism in the history of title sequences in film can illuminate discussions raised by the advent of digital cinema. Ideologies of the Real in Motion Graphics and Title Sequences fills a critical and theoretical void in the existing literature on motion graphics. Developed from careful analysis of Andr©♭ Bazin, Stanley Cavell, and Giles Deleuze's approaches to cinematic realism, this analysis uses title sequences to engage the interface between narrative and non-narrative media to consider cinematic realism in depth through highly detailed close readings of the title sequences for Kolchak: The Night Stalker (1974), The Number 23 (2007), Bullitt (1968), The Kingdom (2008), Blade Runner: 2049 (2017) and the James Bond films. From this critique, author Michael Betancourt develops a modal approach to cinematic realism where ontology is irrelevant to indexicality. His analysis shows the continuity between historical analogue film and contemporary digital motion pictures by developing a framework for rethinking how realism shapes interpretation"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2019020408
ISBN	9780367199197 (hardback)
ISBN	(ebook)

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Ideologies of the real in motion graphics and title sequences / Michael Betancourt.

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