Audience and reception in the early modern period / edited by John R. Decker and Mitzi Kirkland-Ives.

Other author Decker, John R., 1968-
Other author Kirkland-Ives, Mitzi.
Format Electronic
Publication InfoNew York, NY : Routledge, 2022.
Descriptionx, 407 pages : illustrations ; 24 cm.
Supplemental ContentFull text available from Taylor & Francis eBooks
Subjects

SeriesRoutledge studies in cultural history
Contents Introduction : audiences and reception : readers, listeners, and viewers / Mitzi Kirkland-Ives -- To compliment a musical friend : amateur musicians and their audiences in France, ca. 1650-1700 / Michael A. Bane -- Elizabethan audience gaze at history plays : liminal time and space in Shakespeare's Richard II / Murat ©·O©Œg©·utc©·u -- The Commedia dell'Arte from marketplace to court / Rosalind Kerr -- Spreading the word : theater, religion, and contagious performances / J. F. Bernard -- "Sedicious" sermons : preaching, politics, and provocation in Reformation England, 1540-1570 / Brian L. Hanson -- The Rotterdam inquisitor and the false prophet of Antwerp : religious disputation and its audiences in the seventeenth-century Low Countries / David L. Robinson -- Relational performances and audiences in the prologue of John Gower's Confessio amantis / Jonathan M. Newman -- George Turberville, constancy and plain style / Melih Levi -- "Assi de doctos como de indoctos" : a poet-translator discovers his audience in the Spain of Philip II / Richard H. Armstrong -- Female audiences and translations of the classics in early modern Italy / Francesa D'Alessandro Behr -- Women are from Venus : addressing female agency in classical allegory / Helena Kaznowska -- Domenico Ghirlandaio's high altarpiece for Santa Maria Novella and the pre-Tridentine audience of Italian altarpieces / Sarah Cadagin -- Guides who know the way / John R. Decker -- Beyond the doctrine of merit : Philips Galle's prints of the sacraments and works of mercy / Barbara Kaminska.
Abstract "Early modern audiences, readerships, and viewerships were not homogenous. Differences in status, education, language, wealth, and experience (to name only a few variables) could influence how a group of people, or a particular person, received and made sense of sermons, public proclamations, dramatic and musical performances, images, objects, and spaces. The ways in which each of these were framed and executed could have a serious impact on their relevance and effectiveness. The chapters in this volume explore the ways in which authors, poets, artists, preachers, theologians, playwrights, and performers took account of and encoded pluriform potential audiences, readers, and viewers in their works, and how these varied parties encountered and responded to these works. The contributors here investigate these complex interactions through a variety of critical and methodological lenses"-- Provided by publisher.
Bibliography noteIncludes bibliographical references and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2021037844
ISBN9780367676261 (hardback)
ISBN9780367676391 (paperback)
ISBN(ebook)
ISBN(adobe pdf)
ISBN(epub)

Availability

Library Location Call Number Status Item Actions
Electronic Resources Access Content Online ✔ Available