Stomp and Swerve American Music Gets Hot, 1843-1924

Author/creator Wondrich, David Author
Format Electronic
Publication InfoChicago : Chicago Review Press, Incorporated Chicago : Independent Publishers Group [Distributor]
Description256 p. 09.000 x 06.000 in.
Supplemental ContentFull text available from Ebook Central - Public Library Complete
Subjects

Summary Annotation The early decades of American popular musicStephen Foster, Scott Joplin, John Philip Sousa, Enrico Carusoare, for most listeners, the dark ages. It wasnt until the mid-1920s that the full spectrum of this musicblack and white, urban and rural, sophisticated and crudemade it onto records for all to hear. This book brings a forgotten music, hot music, to life by describing how it became the dominant American musichow it outlasted sentimental waltzes and parlor ballads, symphonic marches and Tin Pan Alley novelty numbersand how it became rock n roll. It reveals that the young men and women of that bygone era had the same musical instincts as their descendants Louis Armstrong, Elvis Presley, James Brown, Jimi Hendrix, and even Ozzy Osbourne. In minstrelsy, ragtime, brass bands, early jazz and blues, fiddle music, and many other forms, there was as much stomping and swerving as can be found in the most exciting performances of hot jazz, funk, and rock. Along the way, it explains how the strange combination of African with Scotch and Irish influences made music in the United States vastly different from other African and Caribbean forms; shares terrific stories about minstrel shows, coon songs, whorehouses, knife fights, and other low-life phenomena; and showcases a motley collection of performers heretofore unknown to all but the most avid musicologists and collectors.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
ISBN9781556529030
ISBN1556529031 (E-Book) Active Record
Standard identifier# 9781556529030
Stock number00005733

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