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LEADER 02409cam a2200373 a 4500

001 ocm39477839;

003 OCoLC;

005 20141212131929.0;

008 980630s1999 enk 001 0 eng ;

010 a| 98030134;

020 a| 0195063783 (alk. paper);

035 a| (Sirsi) o39477839;

035 a| (OCoLC)39477839;

040 a| DLCc| DLCd| C#Pd| UtOrBLW;

049 a| EREM;

050 00 a| ML3506b| .M33 1999;

082 00 a| 781.652| 21;

100 1 a| Mandel, Howard.=| ^A373552;

245 10 a| Future jazz /c| Howard Mandel.;

260 a| Oxford ;a| New York :b| Oxford University Press,c| 1999.;

300 a| xiv, 235 pages ;c| 25 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

500 a| Includes index.;

505 0 a| Maps, myths, arguments, assumptions -- Wynton Marsalis: first Downbeat interview -- The good ol'avant-garde -- Birds of a feather -- Guitars and goals beyond -- Wynton Marsalis restarts us -- Modern maturity -- M-base and the Black rock coalition -- Down towners go for broke -- Wynton Marsalis: conclusions, part 3 -- Hothouse culture: jazz clubs in the '90s.;

520 a| In a series of vividly drawn portraits and intimate, in-depth interviews with musicians, composers, improvisers, and music business entrepreneurs, the author captures the vitality and passion of the modern jazz scene from the 1970s to the present. The most celebrated jazz stylists of recent years have been the so-called Young Lions, and the author includes an exclusive three part interview with the Lion King himself, Wynton Marsalis, who relates his background, philosophy of jazz, and pointed opinions on current music. But most of Future Jazz focuses on other trend-setters, tracing the development of new jazz communities (including Chicago's AACM, St. Louis's BAG, and New York's M Base Collective), groups from the Art Ensemble of Chicago to John Zorn's Masada, and major figures including Gen Allen, Joe Lovano, David Murray, Henry Threadgill, and Cassandra Wilson.;

650 0 a| Jazzx| History and criticism.=| ^A54033;

650 0 a| Jazz musicians.=| ^A21290;

910 a| PromptCat;

980 a| 1999-06-16b| 26d| 1.31e| 21.84f| 959963;

596 a| 3;

998 a| 653023;

999 a| ML3506 .M33 1999w| LCc| 1i| 30372010353883d| 7/16/2014e| 4/10/2010f| 4/11/2024g| 5l| MSTm| JMUSICn| 4p| $21.84r| Ys| Yt| MGESBKu| 9/10/1999x| BOOKz| MCIRCo| .STAFF. enhanced 9/19/23 -jjab;

Future jazz / Howard Mandel.

Author/creator	Mandel, Howard
Format	Book
Publication Info	Oxford ; New York : Oxford University Press, 1999.
Description	xiv, 235 pages ; 25 cm
Subjects	Jazz--History and criticism. Jazz musicians.

Contents	Maps, myths, arguments, assumptions -- Wynton Marsalis: first Downbeat interview -- The good ol'avant-garde -- Birds of a feather -- Guitars and goals beyond -- Wynton Marsalis restarts us -- Modern maturity -- M-base and the Black rock coalition -- Down towners go for broke -- Wynton Marsalis: conclusions, part 3 -- Hothouse culture: jazz clubs in the '90s.
Abstract	In a series of vividly drawn portraits and intimate, in-depth interviews with musicians, composers, improvisers, and music business entrepreneurs, the author captures the vitality and passion of the modern jazz scene from the 1970s to the present. The most celebrated jazz stylists of recent years have been the so-called Young Lions, and the author includes an exclusive three part interview with the Lion King himself, Wynton Marsalis, who relates his background, philosophy of jazz, and pointed opinions on current music. But most of Future Jazz focuses on other trend-setters, tracing the development of new jazz communities (including Chicago's AACM, St. Louis's BAG, and New York's M Base Collective), groups from the Art Ensemble of Chicago to John Zorn's Masada, and major figures including Gen Allen, Joe Lovano, David Murray, Henry Threadgill, and Cassandra Wilson.
General note	Includes index.
LCCN	98030134
ISBN	0195063783 (alk. paper)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML3506 .M33 1999	✔ Available	Place Hold

Future jazz / Howard Mandel.

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