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LEADER 03135cam a2200433 a 4500

001 ocm38536082;

003 OCoLC;

005 20141212131909.0;

008 980223s1999 nbua b 001 0 eng ;

010 a| 98014767;

020 a| 0803212356 (cl);

035 a| (Sirsi) o38536082;

035 a| (OCoLC)38536082;

040 a| DLCc| DLCd| YDXd| UtOrBLW;

049 a| EREM;

050 00 a| ML410.D83b| B58 1999;

082 00 a| 782/.00922| 21;

100 1 a| Boone, Graeme M.q| (Graeme MacDonald),d| 1954-=| ^A394987;

245 10 a| Patterns in play :b| a model for text setting in the early French songs of Guillaume Dufay /c| Graeme M. Boone.;

300 a| xi, 326 pages :b| illustrations, music, facsimiles ;c| 27 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| American Musicological Society monographs;

504 a| Includes bibliographical references (pages 299-317) and index.;

520 a| The relationship between text and music is a central issue in fifteenth-century music studies. Decades of research and performance have failed to provide clear answers to the most basic questions, such as which notes go with which syllables and why. This book focuses on the early French songs of Guillaume Dufay and proposes a basis for determining some rules of common procedure for interpreting both underlay and style. The author examines questions of rhythm and declamation, considering mensuration, linguistic and poetic prosody, and prosody in song. The first three chapters comprise a set of discussions preliminary to close rhythmic analysis of Dufay's texted song melodies. Beginning with mensural rhythm and proceeding to poetics and the relationship between Dufay's poetic and musical rhythms and musical declamation, Boone examines the musical features of rhythm, melody, tonal organization, counterpoint, text setting, and text expression. Offering fresh insight into the issues he raises, Boone clarifies the relationship between underlay and style and provides a better understanding of the technical and aesthetic issues that Dufay and other composers faced in weaving their patterns of song.;

600 10 a| Dufay, Guillaume,d| 1397-1474t| Chansons.=| ^A41139;

650 0 a| Musical accentuation.=| ^A76368;

650 0 a| Mensural notation.=| ^A414847;

650 0 a| Musicx| Editing.=| ^A56414;

650 0 a| Polyphonic chansonsy| 15th centuryx| History and criticism.=| ^A196126;

830 0 a| American Musicological Society monographs.=| ^A414846;

910 a| PromptCat;

980 a| 1999-07-07b| 75d| 3.78e| 63f| 971898;

596 a| 3;

998 a| 652718;

999 a| ML410.D83 B58 1999w| LCc| 1i| 30372010357033d| 11/22/2017e| 11/3/2017f| 3/6/2024g| 5l| MSTm| JMUSICn| 32p| $63.00r| Ys| Yt| MGESBKu| 9/30/1999x| BOOKz| MCIRCo| .STAFF. enhanced 6/25/21 -jmusictech;

Patterns in play : a model for text setting in the early French songs of Guillaume Dufay / Graeme M. Boone.

Author/creator	Boone, Graeme M., 1954-
Format	Book
Publication Info	Lincoln : University of Nebraska Press, ©1999.
Description	xi, 326 pages : illustrations, music, facsimiles ; 27 cm.
Subjects	Dufay, Guillaume, 1397-1474 Chansons. Musical accentuation. Mensural notation. Music--Editing. Polyphonic chansons--15th century. --History and criticism.

Series	American Musicological Society monographs American Musicological Society monographs. ^A414846
Contents	Musical rhythm -- Poetic rhythm -- Rhythm in song -- Underlay and style -- Working with the underlay -- Working with the model -- Table 1. French Songs by Guillaume Dufay contained in Ox -- Table 2. Underlay in Dufay's early French songs.
Abstract	The relationship between text and music is a central issue in fifteenth-century music studies. Decades of research and performance have failed to provide clear answers to the most basic questions, such as which notes go with which syllables and why. This book focuses on the early French songs of Guillaume Dufay and proposes a basis for determining some rules of common procedure for interpreting both underlay and style. The author examines questions of rhythm and declamation, considering mensuration, linguistic and poetic prosody, and prosody in song. The first three chapters comprise a set of discussions preliminary to close rhythmic analysis of Dufay's texted song melodies. Beginning with mensural rhythm and proceeding to poetics and the relationship between Dufay's poetic and musical rhythms and musical declamation, Boone examines the musical features of rhythm, melody, tonal organization, counterpoint, text setting, and text expression. Offering fresh insight into the issues he raises, Boone clarifies the relationship between underlay and style and provides a better understanding of the technical and aesthetic issues that Dufay and other composers faced in weaving their patterns of song.
Bibliography note	Includes bibliographical references (pages 299-317) and index.
LCCN	98014767
ISBN	0803212356 (cl)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML410.D83 B58 1999	✔ Available	Place Hold

Patterns in play : a model for text setting in the early French songs of Guillaume Dufay / Graeme M. Boone.

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