The Bloomsbury handbook of music production / edited by Andrew Bourbon and Simon Zagorski-Thomas.
| Other author | Bourbon, Andrew. |
| Other author | Zagorski-Thomas, Simon. |
| Format | Electronic |
| Publication Info | New York : Bloomsbury Academic, 2020. |
| Description | xvii, 413 pages : illustrations ; 27 cm |
| Supplemental Content | Full text available from Ebook Central - Academic Complete |
| Supplemental Content | Full text available from eBooks on EBSCOhost |
| Subjects |
| Contents | Part I. Background. Recorded Music / Simon Zagorski-Thomas ; Authenticity in Music Production / Mike Alleyne ; How to Study Record Production ; Carlo Nardi -- Part II. Technologies. From Tubes to Transistors : Developments in Recording Technology up to 1970 / Albin Zak III ; Transition : The History of Recording Technology from 1970 to the present / Paul Théberge ; How does vintage equipment fit into a modern working process? / Anthony Meynell -- Part III. Places. Recording Studios in the First Half of the 20th Century / Susan Schmidt-Horning ; Recording Studios Since 1970 / Eliot Bates -- Part IV. Organising the Production Process. Information (Inter)action and Collaboration in Record Production Environments / M. Nyssim Lefford ; Creative Communities of Practice : Role Delineation in Record Production In Different Eras and Across Different Genres and Production Settings / Tuomas Auvinen ; Pre-Production ; Mike Howlett -- Part V. Creating Recorded Music. Songwriting in the Studio / Simon Barber ; The Influence of Technology on Performance : Classical Perspectives / Amy Blier-Carruthers ; Welcome to the Machine : Musicians, Technology and Industry / Alan Williams ; Studying Recording Techniques / Kirk McNally and Toby Seay ; Materialising Identity in the Recording Studio / Alexa Woloshyn -- Part VI. Creating Desktop Music. Desktop Production and Groove / Anne Danielsen ; Bass and Heaviness in Dance Music / Robert Fink ; Maximum Sonic Impact : (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production / Mark Mynett ; Desktop Production and Commerciality / Phil Harding -- Part VII. Post-Production. Audio Processing / Mike Exarchos and Simon Zagorski-Thomas ; Mixing / Andrew Bourbon -- Part VIII. Distribution. Producer Compensation in the Digital Age / Richard James Burgess ; Evolving Technologies of Music Distribution : Consumer Music Formats - Past, Present and Future / Rob Toulson ; Listening to Recorded Sound / Mark Katz ; Interpreting the Materials of a Transmedia Storyworld : Word-Music-Image in Steven Wilson's Hand. Cannot. Erase. (2015) / Lori A. Burns and Laura McLaren. |
| Abstract | "A summary of current research on the production of stereo and mono recorded music"-- Provided by publisher. |
| Bibliography note | Includes bibliographical references and index. |
| Access restriction | Available only to authorized users. |
| Technical details | Mode of access: World Wide Web |
| Genre/form | Electronic books. |
| LCCN | 2019035761 |
| ISBN | 9781501334023 (hardback) |
| ISBN | electronic book |
| ISBN | electronic book |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Electronic Resources | ✔ Available |