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LEADER 03182cam a22005178i 4500

001 on1427238306;

003 OCoLC;

005 20250120152039.0;

008 240903s2024 ohu b 001 0 eng ;

010 a| 2024040403;

020 a| 9781606354827;

020 a| 1606354825;

020 z| 9781631015496q| (epub);

020 z| 9781631015502q| (pdf);

035 a| (Sirsi) o1427238306;

035 a| (OCoLC)1427238306;

042 a| pcc;

050 00 a| PS3515.E37b| Z617725 2024;

082 00 a| 813/.522| 23/eng/20240903;

245 00 a| Hemingway and film :b| reflections on teaching, reading, and understanding /c| edited by Cam Cobb and Marc K. Dudley.;

263 a| 2411;

264 1 a| Kent :b| The Kent State University Press,c| 2024.;

300 a| pages cm.;

336 a| textb| txt2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

490 1 a| Teaching Hemingway;

504 a| Includes bibliographical references and index.;

520 a| "Though Ernest Hemingway distrusted Hollywood and often found himself in conflict with directors and producers, he frequented theaters and freely acknowledged the art and potential that cinema contained. In turn, the film industry's interest in his stories has endured for nearly a century. Focusing on the relationship between written and cinematic work, Hemingway and Film brings together diverse literary and film studies scholars to both deepen understanding of Hemingway's fiction and film adaptations and to provide practical guidance for approaching these topics in the classroom. By examining Hemingway's writing and film, we can identify rich crossovers between literary criticism, film studies, and pedagogy. Chapters explore Hemingway's stories, themes, construction, and context while interrogating the art of adaptation itself, examining what makes for successful retellings or defines fidelity to the original work. Contributors include Alice Mikal Craven, Christina Parker-Flynn, Jean Jespersen Bartholomew, Donald A. Daiker, Sean C. Hadley, Kirk Curnutt, James Plath, Timothy Penner, Suzanne del Gizzo, Tatiana Konrad, Stephen Whittaker, Scott D. Yarbrough, and the late Peter L. Hays"--c| Provided by publisher.;

600 10 a| Hemingway, Ernest,d| 1899-1961v| Film adaptations.=| ^A634390;

650 0 a| American fictionv| Film adaptations.=| ^A1005186;

650 0 a| Film adaptationsx| History and criticism.=| ^A162912;

655 7 a| Literary criticism.2| lcgft;

655 7 a| Film criticism.2| lcgft;

655 7 a| Critiques littéraires.2| rvmgf;

655 7 a| Critiques cinématographiques.2| rvmgf;

700 1 a| Cobb, Camq| (Cameron),d| 1972-e| editor.1| https://id.oclc.org/worldcat/entity/E39PCjMy3ycFxvDTHjg4x6PD9C=| ^A1476291;

700 1 a| Dudley, Marc K.,d| 1971-e| editor.1| https://id.oclc.org/worldcat/entity/E39PCjKMp6BHjxpHbgVGRQWj3P=| ^A1376526;

830 0 a| Teaching Hemingway.=| ^A1382773;

949 a| Order on Demandw| ASISh| JOYNER219;

960 o| 1s| 34.95u| JENGz| USD;

961 f| DMDm| 138099;

596 a| 1;

998 a| 6493378;

999 a| ORDER ON DEMANDw| ASISc| 1i| 6493378-1001l| JYBPDDAPm| JOYNERr| Ys| Yt| JYBPDDAPUu| 11/12/2024;

Hemingway and film : reflections on teaching, reading, and understanding / edited by Cam Cobb and Marc K. Dudley.

Other author	Cobb, Cam (Cameron), 1972- editor.
Other author	Dudley, Marc K., 1971- editor.
Format	Book
Publication	Kent : The Kent State University Press, 2024.
Description	pages cm.
Subjects	Hemingway, Ernest, 1899-1961--Film adaptations. American fiction--Film adaptations. Film adaptations--History and criticism.

Series	Teaching Hemingway Teaching Hemingway. ^A1382773
Abstract	"Though Ernest Hemingway distrusted Hollywood and often found himself in conflict with directors and producers, he frequented theaters and freely acknowledged the art and potential that cinema contained. In turn, the film industry's interest in his stories has endured for nearly a century. Focusing on the relationship between written and cinematic work, Hemingway and Film brings together diverse literary and film studies scholars to both deepen understanding of Hemingway's fiction and film adaptations and to provide practical guidance for approaching these topics in the classroom. By examining Hemingway's writing and film, we can identify rich crossovers between literary criticism, film studies, and pedagogy. Chapters explore Hemingway's stories, themes, construction, and context while interrogating the art of adaptation itself, examining what makes for successful retellings or defines fidelity to the original work. Contributors include Alice Mikal Craven, Christina Parker-Flynn, Jean Jespersen Bartholomew, Donald A. Daiker, Sean C. Hadley, Kirk Curnutt, James Plath, Timothy Penner, Suzanne del Gizzo, Tatiana Konrad, Stephen Whittaker, Scott D. Yarbrough, and the late Peter L. Hays"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Genre/form	Literary criticism.
Genre/form	Film criticism.
Genre/form	Critiques littéraires.
Genre/form	Critiques cinématographiques.
LCCN	2024040403
ISBN	9781606354827
ISBN	1606354825
ISBN	(epub)
ISBN	(pdf)

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