Tools

LEADER 06269nam a22006018i 4500

001 ssj0002713261;

003 WaSeSS;

005 20241012080228.0;

006 m d ;

007 cr n ;

008 220907s2023 inu sb 101 0 eng d;

010 a| 2022042859;

020 a| 9780253064769q| (hardback);

020 a| 9780253064776q| (paperback);

020 z| 9780253064783q| (ebook);

035 a| (WaSeSS)ssj0002713261;

040 a| ICU/DLCb| engc| DLCd| WaSeSS;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| ML3799.2b| .A78 2023;

082 00 a| 780.892| 23/eng/20220913;

245 00 a| At the crossroads of music and social justiceh| [electronic resource] /c| edited by Brenda M. Romero, Susan M. Asai, David A. McDonald, Andrew G. Snyder, and Katelyn E. Best.;

260 a| Bloomington, Indiana :b| Indiana University Press,c| 2023.;

263 a| 2302;

300 a| pages cm;

490 1 a| Activist encounters in folklore and ethnomusicology;

500 a| "This book emerged as the result of the Crossroads Section's inaugural prize for best papers on music and social justice at the 2018 SEM conference in Albuquerque, New Mexico. The three prize winners--David A. McDonald, Katelyn Best, and Andrew Snyder--joined Brenda M. Romero and Susan M. Asai on the editorial board for this volume, which would feature chapters based on the other presentations submitted for the prizes."--Preface.;

504 a| Includes bibliographical references and index.;

505 0 t| Preface /r| Andrew G. Snyder, Katelyn E. Best --t| Introduction : pathways toward a justice-oriented ethnomusicology /r| David A. McDonald --g| Part I: Truth telling and listening lovingly.t| Diversity on repeat : the deceptive cadence of social domination in ethnomusicology /r| Kyra D. Gaunt --t| Social justice and my work as a music scholar, teacher, and artist /r| Steven Loza --t| Punk and politics and transforming musical academe /r| Brenda M. Romero --t| Going forward with vigilance : American Indian music is always there /r| Charlotte W. Heth --t| Deliver me from danger, Èşù-Elẹgbára! : musical offerings in social justice /r| Paul Austerlitz --g| Part II: Radical inclusivity.r| Ethnocentrism 2.0 : hearing-centrism, inclusivity, and musical expression in deaf culture /r| Katelyn E. Best --t| Pink Menno hymn sings : queerness, inclusivity and the Mennonite Church /r| Katie J. Graber --t| Unsettling Euro-American conceptions of race in the Egyptian independent music scene /r| Darci Sprengel --t| Reclaming Nanook of the north : Tanya Tagaq's sonic and performative counterpoints to Inuit stereotypes /r| Ho Chak Law --t| "If I could go back in time" : rethinking popular culture, social justice, and the compassionate gaze in Palestine /r| David A. McDonald --g| Part III. Coalition building.t| promoting social justice through traditional Irish music : a new model for applied research /r| Alexandria Carrico --t| The sonic politics of interracial coalitions /r| Susan M. Asai --t| "¡Vamos a pelear en la guerra!" : musical manifestations of coalition building in the South Texas Chicano Movement /r| Erin E. Baker --g| Part IV. Direct action.t| "Music is liberation" : the Brass Liberation Orchestra and direct action /r| Andrew G. Snyder --t| Ecological frictions and borderless futures : art and activism on a sailing ship /r| Rebekah E. Moore --t| Raising the imperative for direct action /r| Susan M. Asai --t| Circling back on direct action : on difference and representation /r| Brenda M. Romero.;

506 a| Available only to authorized users.;

520 a| "Music is powerful and transformational, but can it spur actual social change? A powerful collection of essays, At the Crossroads of Music and Social Justice studies the meaning of music within a community to investigate the intersections of sound and race, ethnicity, religion, gender, sexual orientation, and differing abilities. Ethnographic work from a range of theoretical frameworks uncovers and analyzes the successes and limitations of music's efficacies in resolving conflicts, easing tensions, reconciling groups, promoting unity, and healing communities. This volume is rooted in the Crossroads Section for Difference and Representation of the Society for Ethnomusicology, whose mandate is to address issues of diversity, difference, and underrepresentation in the society and its members' professional spheres. Activist scholars who contribute to this volume illuminate possible pathways and directions to support musical diversity and representation. At the Crossroads of Music and Social Justice is an excellent resource for readers interested in real-world examples of how folklore, ethnomusicology, and activism can, together, create a more just and inclusive world"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Applied ethnomusicologyv| Congresses.=| ^A1260724;

650 0 a| Ethnomusicologyx| Social aspectsv| Congresses.=| ^A24599;

650 0 a| Musicx| Political aspectsv| Congresses.=| ^A12651;

650 0 a| Social justicev| Congresses.=| ^A484928;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Romero, Brenda M.,d| 1949-?| UNAUTHORIZED;

700 1 a| Asai, Susan Miyo,d| 1952-=| ^A428747;

700 1 a| McDonald, David A.,d| 1976-?| UNAUTHORIZED;

700 1 a| Snyder, Andrewc| (Ethnomusicologist)?| UNAUTHORIZED;

700 1 a| Best, Katelyn E.?| UNAUTHORIZED;

710 2 a| Society for Ethnomusicology.b| Crossroads Section for Difference and Representation.?| UNAUTHORIZED;

830 0 a| Activist encounters in folklore and ethnomusicology.?| UNAUTHORIZED;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=7131871;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 6483109;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6483109-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 10/17/2024x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6483109-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 10/17/2024x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6483109-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 10/17/2024x| EBOOKz| JERESOURCE;

At the crossroads of music and social justice / edited by Brenda M. Romero, Susan M. Asai, David A. McDonald, Andrew G. Snyder, and Katelyn E. Best.

Format	Electronic
Publication Info	Bloomington, Indiana : Indiana University Press, 2023.
Description	pages cm
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Applied ethnomusicology--Congresses. Ethnomusicology--Social aspects. --Congresses. Music--Political aspects. --Congresses. Social justice--Congresses.

Other author/creator	Romero, Brenda M., 1949-
Other author/creator	Asai, Susan Miyo, 1952-
Other author/creator	McDonald, David A., 1976-
Other author/creator	Snyder, Andrew (Ethnomusicologist)
Other author/creator	Best, Katelyn E.
Other author/creator	Society for Ethnomusicology. Crossroads Section for Difference and Representation.
Series	Activist encounters in folklore and ethnomusicology Activist encounters in folklore and ethnomusicology. UNAUTHORIZED
Contents	Preface / Andrew G. Snyder, Katelyn E. Best -- Introduction : pathways toward a justice-oriented ethnomusicology / David A. McDonald -- Part I: Truth telling and listening lovingly. Diversity on repeat : the deceptive cadence of social domination in ethnomusicology / Kyra D. Gaunt -- Social justice and my work as a music scholar, teacher, and artist / Steven Loza -- Punk and politics and transforming musical academe / Brenda M. Romero -- Going forward with vigilance : American Indian music is always there / Charlotte W. Heth -- Deliver me from danger, Èşù-Elẹgbára! : musical offerings in social justice / Paul Austerlitz -- Part II: Radical inclusivity. Ethnocentrism 2.0 : hearing-centrism, inclusivity, and musical expression in deaf culture / Katelyn E. Best -- Pink Menno hymn sings : queerness, inclusivity and the Mennonite Church / Katie J. Graber -- Unsettling Euro-American conceptions of race in the Egyptian independent music scene / Darci Sprengel -- Reclaming Nanook of the north : Tanya Tagaq's sonic and performative counterpoints to Inuit stereotypes / Ho Chak Law -- "If I could go back in time" : rethinking popular culture, social justice, and the compassionate gaze in Palestine / David A. McDonald -- Part III. Coalition building. promoting social justice through traditional Irish music : a new model for applied research / Alexandria Carrico -- The sonic politics of interracial coalitions / Susan M. Asai -- "¡Vamos a pelear en la guerra!" : musical manifestations of coalition building in the South Texas Chicano Movement / Erin E. Baker -- Part IV. Direct action. "Music is liberation" : the Brass Liberation Orchestra and direct action / Andrew G. Snyder -- Ecological frictions and borderless futures : art and activism on a sailing ship / Rebekah E. Moore -- Raising the imperative for direct action / Susan M. Asai -- Circling back on direct action : on difference and representation / Brenda M. Romero.
Abstract	"Music is powerful and transformational, but can it spur actual social change? A powerful collection of essays, At the Crossroads of Music and Social Justice studies the meaning of music within a community to investigate the intersections of sound and race, ethnicity, religion, gender, sexual orientation, and differing abilities. Ethnographic work from a range of theoretical frameworks uncovers and analyzes the successes and limitations of music's efficacies in resolving conflicts, easing tensions, reconciling groups, promoting unity, and healing communities. This volume is rooted in the Crossroads Section for Difference and Representation of the Society for Ethnomusicology, whose mandate is to address issues of diversity, difference, and underrepresentation in the society and its members' professional spheres. Activist scholars who contribute to this volume illuminate possible pathways and directions to support musical diversity and representation. At the Crossroads of Music and Social Justice is an excellent resource for readers interested in real-world examples of how folklore, ethnomusicology, and activism can, together, create a more just and inclusive world"-- Provided by publisher.
General note	"This book emerged as the result of the Crossroads Section's inaugural prize for best papers on music and social justice at the 2018 SEM conference in Albuquerque, New Mexico. The three prize winners--David A. McDonald, Katelyn Best, and Andrew Snyder--joined Brenda M. Romero and Susan M. Asai on the editorial board for this volume, which would feature chapters based on the other presentations submitted for the prizes."--Preface.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2022042859
ISBN	9780253064769 (hardback)
ISBN	9780253064776 (paperback)
ISBN	(ebook)

Availability

Library	Location	Call Number	Status	Item Actions
	Electronic Resources	Access Content Online	✔ Available

At the crossroads of music and social justice / edited by Brenda M. Romero, Susan M. Asai, David A. McDonald, Andrew G. Snyder, and Katelyn E. Best.

Click here for more information about this title

Availability