Tools

LEADER 02714cam a2200361 a 4500

001 ocm38966200;

003 OCoLC;

005 20141212131308.0;

008 980413s1999 enka b 001 0beng ;

010 a| 98021453;

019 a| 40753066;

020 a| 0521496373 (hardback);

035 a| (Sirsi) o38966200;

035 a| (OCoLC)38966200;

049 a| EREM;

050 00 a| ML410.W8b| G53 1999;

082 00 a| 782.42168/0922| 21;

100 1 a| Glauert, Amanda.=| ^A410440;

245 10 a| Hugo Wolf and the Wagnerian inheritance /c| Amanda Glauert.;

260 a| Cambridge ;a| New York :b| Cambridge University Press,c| 1999.;

300 a| vii, 161 pages :b| illustrations ;c| 26 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (pages 157-159) and index.;

505 00 t| "Music of the future"? The nature of the Wagnerian inheritance --t| "Wagner of the Lied"? Wolf as critic of Wagner and Wagnerism --g| Small things can also enchant us:t| Wolf's challenge to nineteenth-century views of song --g| "Poetry the man, music the woman"?t| Wolf's reworking in his Mörike songs of Wagner's aesthetics of words and music --g| The integrity of musical language:t| questions of form and meaning in Wolf's Goethe songs --g| The Wolfian perspective:t| comparisons with the songs of Strauss and Mahler.;

520 a| In spite of growing interest in the songs of Hugo Wolf, there is still a lack of serious critical discussion of the nature of his achievements, in particular his relationship to Richard Wagner. Wolf has been regarded as a composer who followed the style and aesthetics of Wagnerian music drama without question, while writing in a genre often seen as less challenging than the symphony or opera. This book re-examines the evidence concerning Wolf's responses to Wagner and Wagnerism, and suggests ways in which he voiced his criticism through song and through his one completed opera, Der Corregidor. This opens up new insights into the kind of impact Wagner had on those following in his wake, and into the complexity and subtlety of the late nineteenth-century Lied. From this perspective, Wolf emerges as a persuasive and articulate figure, of wider musical and artistic significance than has yet been recognised.;

600 10 a| Wolf, Hugo,d| 1860-1903x| Criticism and interpretation.=| ^A43959;

600 10 a| Wagner, Richard,d| 1813-1883x| Influence.=| ^A108871;

596 a| 3;

998 a| 647503;

999 a| ML410.W8 G53 1999w| LCc| 1i| 30372010240882d| 3/26/2024e| 11/6/2016f| 3/26/2024g| 6l| MSTm| JMUSICn| 10p| $46.16q| 2r| Ys| Yt| MGESBKu| 4/6/1999x| BOOKz| MCIRCo| .STAFF. enhanced 9/28/22 -jjab;

Hugo Wolf and the Wagnerian inheritance / Amanda Glauert.

Author/creator	Glauert, Amanda
Format	Book
Publication Info	Cambridge ; New York : Cambridge University Press, 1999.
Description	vii, 161 pages : illustrations ; 26 cm
Subjects	Wolf, Hugo, 1860-1903--Criticism and interpretation. Wagner, Richard, 1813-1883--Influence.

Contents	"Music of the future"? The nature of the Wagnerian inheritance -- "Wagner of the Lied"? Wolf as critic of Wagner and Wagnerism -- Small things can also enchant us: Wolf's challenge to nineteenth-century views of song -- "Poetry the man, music the woman"? Wolf's reworking in his Mörike songs of Wagner's aesthetics of words and music -- The integrity of musical language: questions of form and meaning in Wolf's Goethe songs -- The Wolfian perspective: comparisons with the songs of Strauss and Mahler.
Abstract	In spite of growing interest in the songs of Hugo Wolf, there is still a lack of serious critical discussion of the nature of his achievements, in particular his relationship to Richard Wagner. Wolf has been regarded as a composer who followed the style and aesthetics of Wagnerian music drama without question, while writing in a genre often seen as less challenging than the symphony or opera. This book re-examines the evidence concerning Wolf's responses to Wagner and Wagnerism, and suggests ways in which he voiced his criticism through song and through his one completed opera, Der Corregidor. This opens up new insights into the kind of impact Wagner had on those following in his wake, and into the complexity and subtlety of the late nineteenth-century Lied. From this perspective, Wolf emerges as a persuasive and articulate figure, of wider musical and artistic significance than has yet been recognised.
Bibliography note	Includes bibliographical references (pages 157-159) and index.
LCCN	98021453
ISBN	0521496373 (hardback)

Availability

Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML410.W8 G53 1999	✔ Available	Place Hold

Hugo Wolf and the Wagnerian inheritance / Amanda Glauert.

Click here for more information about this title

Availability