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001 on1450451806;

003 OCoLC;

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006 m o d ;

007 cr unu||||||||;

008 240731s2024 ncua obm 000 0 eng d;

035 a| (OCoLC)1450451806;

043 a| a-ko---;

043 a| n-us-nc;

090 a| NK4168.6.A1;

049 a| EREE;

100 1 a| Kim, Joogab,e| author.?| UNAUTHORIZED;

245 10 a| Making Korean Onggi pottery in North Carolina :b| clay body, glaze, firing and aesthetic approach /c| by Joogab Kim.;

264 1 a| [Greenville, N.C.] :b| [East Carolina University],c| 2024.;

300 a| 1 online resource (63 pages) :b| illustrations (chiefly color);

336 a| textb| txt2| rdacontent;

337 a| computerb| c2| rdamedia;

338 a| online resourceb| cr2| rdacarrier;

347 a| text fileb| application/pdfc| 2.2 MB2| rda;

538 a| System requirements: Adobe Reader.;

538 a| Mode of access: World Wide Web.;

502 b| M.F.A.c| East Carolina Universityd| 2024.;

500 a| Presented to the Faculty of the School of Art and Design;

500 a| Advisor: Jim Tisnado;

500 a| Title from PDF t.p. (viewed October 2, 2025).;

520 3 a| Onggi is a traditional style of Korean utilitarian pottery. Potters have been using the Onggi traditional building, glazing and firing techniques to make pottery for storing and fermenting food for thousands of years. Although no longer relevant as the main storage vessels for food in Korea, Onggi jars have become an art form in recent times. As a potter still tied to traditional building and firing techniques, I am making large vessels based on the Korean tradition of Onggi, and infusing them with an artistic interpretation. Making the transition to an American pottery environment posed four avenues of research necessary to produce large vessels: clay body, glaze, firing environment, and the artistic elevation of traditional Onggi jars. My research shows how traditional Onggi building methods can be used to make large vessels using the materials, equipment, and atmosphere in North Carolina and how these same circumstances enhance the artistic evolution of the simple Onggi storage vessel.;

504 a| Includes bibliographical references.;

650 0 a| Pottery, Korean.=| ^A57757;

650 0 a| Potteryz| North Carolina.=| ^A16703;

650 0 a| Folk artz| Korea.=| ^A267150;

653 a| Korean Onggi Pottery;

700 1 a| Tisnado, Jim,e| degree supervisor.?| UNAUTHORIZED;

710 2 a| East Carolina University.b| School of Art and Design.?| UNAUTHORIZED;

856 40 z| Access via ScholarShipu| http://hdl.handle.net/10342/13424;

994 a| C0b| ERE;

596 a| 1 4;

998 a| 6462812;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6462812-1001l| JNETm| JOYNERr| Ys| Yt| JNE3ETDu| 7/31/2024x| ETDz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6462812-2001l| HSLELECm| HSLr| Ys| Yt| HEETDu| 7/31/2024x| ETDz| HERESOURCE;

Making Korean Onggi pottery in North Carolina : clay body, glaze, firing and aesthetic approach / by Joogab Kim.

Author/creator	Kim, Joogab author.
Other author	Tisnado, Jim, degree supervisor.
Other author	East Carolina University. School of Art and Design.
Format	Theses and dissertations
Publication	[Greenville, N.C.] : [East Carolina University], 2024.
Description	1 online resource (63 pages) : illustrations (chiefly color)
Supplemental Content	Access via ScholarShip
Subjects	Pottery, Korean. Pottery--North Carolina. Folk art--Korea.

Summary	Onggi is a traditional style of Korean utilitarian pottery. Potters have been using the Onggi traditional building, glazing and firing techniques to make pottery for storing and fermenting food for thousands of years. Although no longer relevant as the main storage vessels for food in Korea, Onggi jars have become an art form in recent times. As a potter still tied to traditional building and firing techniques, I am making large vessels based on the Korean tradition of Onggi, and infusing them with an artistic interpretation. Making the transition to an American pottery environment posed four avenues of research necessary to produce large vessels: clay body, glaze, firing environment, and the artistic elevation of traditional Onggi jars. My research shows how traditional Onggi building methods can be used to make large vessels using the materials, equipment, and atmosphere in North Carolina and how these same circumstances enhance the artistic evolution of the simple Onggi storage vessel.
General note	Presented to the Faculty of the School of Art and Design
General note	Advisor: Jim Tisnado
General note	Title from PDF t.p. (viewed October 2, 2025).
Dissertation note	M.F.A. East Carolina University 2024.
Bibliography note	Includes bibliographical references.
Technical details	System requirements: Adobe Reader.
Technical details	Mode of access: World Wide Web.

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Making Korean Onggi pottery in North Carolina : clay body, glaze, firing and aesthetic approach / by Joogab Kim.

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