Messiaen, Quatuor pour la fin du temps / Anthony Pople.

Author/creator Pople, Anthony
Format Book
Publication InfoCambridge ; New York : Cambridge University Press, 1998.
Descriptionx, 115 pages : illustrations, music ; 23 cm.
Subjects

Portion of title Quatuor pour la fin du temps
SeriesCambridge music handbooks
Cambridge music handbooks. ^A275900
Contents Introduction -- 'Liturgie de cristal' -- 'Vocalise, pour l'Ange qui annonce la fin du temps' -- 'Abîme des oiseaux' -- 'Intermède' -- 'Louange à l'Éternite de Jésus' -- 'Danse de la fureur, pour les septs trompettes' -- 'Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du temps' -- 'Louange à l'Immortalité de Jésus' -- Contexts.
Abstract The Quatuor pour la fin du temps (Quartet for the End of Time) is among the best-known compositions by Olivier Messiaen (1908?92). Like virtually all of his works, it combines the striking technical achievement of Messiaen's rich and attractive musical style with a deeply felt theological inspiration - in this case from the apocalyptic events described in the Book of Revelation, leading to the end of Time itself. Composed while Messiaen was a prisoner-of-war and premiered under extraordinary conditions in Stalag VIIIA in 1941, the work retains a powerful immediacy that has made it a favourite of performers and audiences alike. Anthony Pople's book provides an introduction to Messiaen's style through an examination of this great work, showing how it came to be composed and giving an in-depth assessment of each of its eight movements.
Bibliography noteIncludes bibliographical references (page 112) and index.
LCCN 98023937
ISBN0521584973 (hc.)
ISBN0521585384 (pbk.)

Availability

Library Location Call Number Status Item Actions
Music Music Stacks ML410.M595 P58 1998 ✔ Available Place Hold