| Abstract |
The percussive act is ubiquitous. It spans the existence of music through time and through all cultures. It sits as the largest category of musical instrumentation. Its uses denote extra-musical importance, as percussion plays a role in facilitating and structuring work, play, ritual, language, movement, expression, awareness, and healing. Percussion is also likely the most utilized interactive instrumentation in the field of music therapy. This book explains what percussion is and what it does with relevance to therapy and wellness, doing so through historical, cultural, physical, physiological, musical, technical, clinical, researched-based, and experiential perspectives. Each lens builds upon the next, offering an exploration of the underpinnings that make percussion a valuable and practical tool for the field of music therapy. Perspectives are enhanced by a variety of music therapists, university educators, professional musicians, and integrative arts facilitators. Direct contributors include Carolyn Koebel, Rex Bacon, Jim Borling, Bob Miller, Kathleen Coleman, Betsey King, Eric Stuer, Kalani, Lori Cotler, and Mike Marcionetti.... This book is an essential resource for the music therapy clinician, music therapy educator, student, and the music educator with an interest in expanding their knowledge of percussion skills and wellness. |
