ECU Libraries Catalog

Voice machines : the castrato, the cat piano, and other strange sounds / Bonnie Gordon.

Author/creator Gordon, Bonnie, 1968- author.
Format Book and Print
Publication InfoChicago, IL ; London : The University of Chicago Press, 2023.
Descriptionix, 416 pages : illustrations ; 24 cm
Subject(s)
Contents Prologue -- Sounds like ... assembling the sound world. Orfobot: automated Orpheus ; The death of a cicada -- Feedback loops: entanglements of voices and instruments. Intermedio: the cat piano ; Organoscope: telescoping sound ; Organs and organs ; Into the garden -- Roman reverb and sea changes. When in Rome: the castrato as a special effect ; On the cusp ; More than one sex -- Out of synch. Time travel/liquid ecstatics ; Cyborg echoes -- Epilogue: cadential hauntings.
Abstract The castrato phenomenon stretched from the late sixteenth century, when castrati first appeared in Italian courts and churches, through the eighteenth century, when they occupied a celebrity status on the operatic stage. Throughout this time, the voice of the castrato--hailed as uniquely strong, flexible and expressive--contributed to a dramatic expansion of the musical vocabulary and to finding new ways to embody the poetic text. For us today, the castrato also highlights the porous relationship of voices and instruments/machines and the inherent materiality of sound. In her revealing study, the author asks what it meant that the early-modern period produced a caste of technologically altered male singers and she uses the castrato as a critical provocation for asking questions about the interrelated histories of music, technology, sound, the limits of the human body, and what counts as human.
Bibliography noteIncludes bibliographical references and index.
LCCN 2022039099
ISBN9780226825144 hardcover
ISBN0226825140 hardcover
ISBNelectronic book

Available Items

Library Location Call Number Status Item Actions
Music Music Stacks ML1433 .G67 2023 ✔ Available Place Hold