ECU Libraries Catalog

Silvestre Revueltas : sounds of a political passion / Roberto Kolb-Neuhaus.

Author/creator Kolb, Roberto
Other author/creatorOxford University Press.
Format Electronic and Book
Publication InfoNew York, NY : Oxford University Press, [2023]
Descriptionxxii, 705 pages : illustrations, music ; 25 cm
Supplemental Content Full text available from Oxford Scholarship Online
Supplemental Content Full text available from Oxford Scholarship Online Music
Subject(s)
Series Currents in Latin American and Iberian music
Contents Part I. Silvestre Revueltas : a political composer. Political being and doing : a social biography ; Political soundings : change through art -- Part II. Targeting western modernity : de-colonial avant-gardism ; Epistemic disobedience : surrealist and Dadaist soundings? ; The lure of the Russian revolution : machinist soundings ; The art of the streets : sounding "the piercing cries of the poor and helpless street vendor" ; Breaking down false consciousness : the musical irony behind Revueltas' "Geometric dance" -- Part III. How (not) to sound the nation. Magueyes and Música de feria (1932) ; Colorines (1932) ; Alcancías (Three pieces for orchestra, 1932) ; .Janitzio (1933/1936) ; 8 x Radio (1933) ; Composing for the people ; Spain in the heart : Revueltas and the civil war in Spain ; Nostalgia of the future : sounding allegories of liberation through poetry and music (co-authored with Susana González-Aktories) ; Aberrant reception yesterday : views from within and without ; Aberrant reception today (and tomorrow?) : "Mayadämmerung" or the chronicle of a fraudulent performance of exotic otherness.
Abstract "To this day, both at home and beyond Mexico's borders, Silvestre Revueltas (1899-1940) has been systematically portrayed as a nationalist composer. Unknown or ignored, his private and public writings destroy this myth straight out. The then-fashionable musicking of a presumed Mexicanness was far from Revueltas' mind. Strongly inspired by the Soviet Revolution, his dream was to find ways to sound the voice of the social people, not only those wandering the Mexican streets but also the gypsy miners in Spain, the black slaves in the U.S. South, and those in Cuba in colonial times. The various soundings of such social actors account for the diversity of aesthetics in his works, explored in this book through a correlation of the musical texts with the composer's writings as well as his political activism: he was not only active at home as a leading member of the League of Revolutionary Writers and Artists, but also significantly as a member of the Mexican delegation visiting Republican Spain in the midst of the war against Franco's fascist troupes. With few exceptions, though, most of his works seek to transcend standards of political art expression, such as program music or scores variously linked to word or image. Significantly, Revueltas' early instrumental works appear to abstract a musical ontology from the time and space of his diverse and multiple social actors through a daringly free use of montage and collage. Avant-garde rebellion and satire are also present in his best-known late works. Revueltas's is a unique and provocative decolonial art that pokes fun at the cosmopolitanistic fantasies of his Eurocentric peers at home as well as exoticizing expectations abroad. Unveiling the sense behind Revueltas's irony and the form political passion takes on in his music is the intention behind Kolb-Neuhaus's hermeneutic approach, which intertwines Revueltian art with his writings and political actions"-- Provided by publisher.
Bibliography noteIncludes bibliographical references (pages 677-689) and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2022040737
ISBN9780199751488 (hardback)
ISBN(epub)

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