| Parallel title |
Ritmos sagrados de la santéria cubana |
| Contents |
Oru de Igbodú para Yemayá (25:35) : Elegguá ; Elegguá ; Inle ; Oggún ; Babaluayé ; Osain ; Agayú ; Changó ; Obatalá ; Yeggua ; Obba ; Oyá ; Ochún ; Yamayá ; Elegguá -- Oru para Changó (10:41) -- Oru para Todos los Santos (part 1) (12:18) : Elegguá ; Oggún/Ochosi/Agayú -- Oru para Todos los Santos (part 2) (16:08) : Eleggueá/Oggún/Ochosi/Inle ; Babaluayé ; Oricha Oco ; Osain ; Los Ibelli ; Dada/Agayú/Changó/Obatalá. |
| Abstract |
"Four orus (series of rhythms and songs used to communicate with deities or saints) performed by four different groups"--Booklet. |
| General note | Program notes by Olavo Alén Rodriguez, in English and Spanish, and bibliography and discography (24 p. : ill.) inserted in container. |
| Credits | Produced by the Centro de Investigación y Desarollo de la Música Cubana ; annotated by Olavo Alén Rodriguez. |
| Performer |
Conjunto de Tambores Batá de Amada Diaz Alfonso (1st work) ; "El Niño de Atocha" Gourd Ensemble (2nd work) ; Agrupación Ará-Okó Bembé Ensemble (3rd work) ; San Cristóbal de Regla gourd ensemble (4th work). |
| Date/time/place of a event note | Recorded in Cuba in 1983-84. |
| UPC |
093074041925 |
| Publisher number | SF 40419 Smithsonian/Folkways |
