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8th-11th century: sacred monophony. Easter Mass Proper and Ordinary. Resurrexi (Introit) -- Quem queritis in sepulchro (Introit trope 1) ; Ecce pater cunctis (Introit trope 2) -- Kyrie Cunctipotens genitor (melismatic and Latin versions) -- Gloria -- Haec dies (Gradual) -- Alleluia Pascha nostrum -- Fulgens praeclara (prose) -- Credo -- Terra tremuit (Offertory) -- Sanctus -- Agnus Dei -- Pascha nostrum (Coummunion) -- Ite, missa est -- First Vespers on the Feast of the Nativity of the Lord (excerpts). Deus in adjutorium (opening versicle) -- Rex pacificus (antiphon and Psalm 112) -- Magnificatus est (antiphon and Psalm 124) -- Veni redemptor gentium (hymn) -- Benedicamus Domino (closing versicle) -- Modal formulas. 9th-century series (from Commemoratio brevis de tonis et psalmis modulandis) -- 12th-century series (from De Musica by John of Afflighem) -- 8th-11th century: polyphony. Theorists' examples. Rex caeli Domine (organum at the fourth, from Musica Enchiriadis) ; Rex caeli Domine (sacred song, principal melody of no. 4a) -- Sit gloria Domini (organum at the fifth with octave doubling, from Musica Enchiriadis) ; Sit gloria Domini (Psalm 103, verse 31, principalm melody of no. 4b) -- Ipsi soli (organum, from Micrologus) / Guido of Arezzo ; Ipsi soli (antiphon, principal melody of no. 4c) -- Kyrie Cunctipotens genitor (from Ad organum faciendum) -- Alleluia in 5th performance mode (from Ad organum faciendum) ; Alleluia Justus ut palma (principal melody of no. 4e) -- Alleluia Te martyrum / Wulfstan of Winchester (?) -- Castitatis lilium effloruit (versus) -- Liturgical chant. Ave regina caelorum (votive antiphon) -- Veni sancte spiritus (prose) -- Pange lingua gloriosi corporis (hymn) -- Aeterna Christi munera (hymn) -- 12th-13th century: secular monophony. Troubadour and Trouvère songs. Can vei la lauzeta mover / Bernart de Ventadorn -- Baros de mon dan covit / Peire Vidal -- Fortz chausa es (1199) / Gaucelm Faidit -- Chevalier mult estes guariz (Crusaders' song, 1147) -- Biaus m'est estez / Gace Brulé -- Prendes i garde (rondeau) / Guillaume d'Amiens -- 12th-13th century: polyphony. Viderunt Emmanuel (Aquitanian versus) -- Kyrie Cunctipuotens genitor (from Codex Calixtinus) -- Alleluia Pascha nostrum (organum duplum) / Leonin -- Alleluia Pascha nostrum (organum duplum, later revision of verse) -- Alleluia Pascha nostrum (organum triplum) / Perotin (?) -- Conductus: Deus in adjutorium (conductus sine cauda) ; O tocius Asie (conductus cum cauda) -- 13th-century motets (to c. 1250). Discant clausa on Regnat (from Alleluia Hodie Maria virgo) -- Ad solitum vomitum/Regnat (two-voice motet) -- Ad solitum vomitum/Regnat (three-voice conductus motet) -- Depositum creditum/Ad solitum vomitum/Regnat (Latin double motet) -- Alleluia Hodie Maria virgo (source chant for Regnat clausula) -- L'autre jour/Au tens pascour/In seculum (French double motet) -- "A certain Spainard," In seculum breve (instrumental hocket) -- 13th-century motets (after c. 1250). El mois de mai/De se debent bigami/Kyrie (French double motet) -- On parole de batre/A Paris/Frese nouvele (French double motet on secular tenor) -- Alle psallite cum luya/Alle psallite cum luya/Alleluya (Latin voice-exchange motet) -- Aucun on trouvé/Lonc tans/Annuntiantes (French double motet) -- 14th-century: Ars nova. Tribum que/Quoniam secta/Merito hec patimur (isorhythmic motet) / Philippe de Vitry -- Bone pastor Guillerme/Bone pastor qui pastores/Bone pastor (isorhythmic motet) -- Nes que on porroite (ballade) ; Quant j'ay l'espart (rondeau) ; Dame a vous sans retollir (virelai) / Guillaume de Machaut -- 14th century: Trecento. Non al suo amante (madrigale) / Jacopo da Bologna -- Tosto che l'alba (caccia) / Gherardello da Firenze -- Questa fanciull'amor (ballata) / Francesco Landini -- Late 14th century: Ars subtilior. Ma trédol rosignol joly (virelai) / Borlet (?) -- Sus un' fontayne (virelai) / Johannes Ciconia -- 15th century: sacred polyphony. Credo (Opem nobis) ; Ave regina caelorum (motet) ; Ave regina caelorum (melody of Sarum tradition) / Leonel Power -- Beata mater (motet) / John Dunstable -- Christe, redemptor omnium (hymn) ; Agnus Dei from Missa Se la face ay pale ; Se la face ay pale (tenor of three-voice song) ; Ave regina caelorum (III) (motet) / Guillaume Dufay -- Agnus Dei from Missa Mi-mi / Johannes Ockeghem -- 15th century: secular song. Ce moys de may soyons lies et joyeux (rondeau) ; Adieu m'amour, adieu ma joye (rondeau) / Guillaume Dufay -- De tous biens plaine (rondeau) / Hayne van Ghizeghem -- |
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Late 15th-early 16th century: sacred. Ave Maria gratia plena ... virgo serena (motet) ; Agnus Dei II from Missa L'homme arm̌ super voces musicales ; Kyrie from Missa Pange lingua ; Agnus Dei from Missa Pange lingua / Josquin Desprez -- Late 15th-early 16th century: secular. Faulte d'argent (chanson a 5) / Josquin Desprez -- Faulte d'argent (chanson a 3) / Antoine de Févin -- La mia la sol (instrumental piece) / Heinrich Isaac -- Señora de hermosura (villancico) ; Triste España (romance) / Juan del Encina -- Orsù orsù car'signori (Italian carnival song) -- Io non compro più speranza (frottola with an introductory recercare by Franciscus Bossinensis) / Marchetto Cara -- 16th century (from c. 1520): sacred. Aus tiefer Not (chorale melody, 1524) / Martin Luther -- Aus tiefer Not (four-part setting, 1524) / Johann Walter -- Aus tiefer Not (four-part setting, 1544) / Arnold von Bruck -- Aus tiefer Not (four-part setting, 1724) / Johann Sebastian Bach -- Ave regina caelorum (motet) / Nicholas Gombert -- Veni sponsa Christi (motet) / Giovanni Pierluigi da Palestrina -- Veni sponsa Christi (antiphon) -- Kyrie from Missa Veni sponsa Christi / Giovanni Pierluigi da Palestrina -- Tristis est anima mea (motet) ; In teneris annis (Sibylla cimmeria), section IV of Propbetiae Sibyllarum / Orlande de Lassus -- Miserere mihi, Domine (motet from Cantiones Sacrae) / William Byrd -- Miserere mihi, Domine (antiphon) -- Canzona Septimi Toni a 8 (from Sacrae Symphoniae, 1597) / Giovanni Gabrieli -- 16th century (from c. 1520): secular. Ou mettra l'on ung baiser (Parisian chanson) / Clèment Janequin -- Pavan 1 (from El Maestro) / Luis de Milán -- Recercada settima (from Tratado de glosas) / Diego Ortiz -- Il bianco e dolce cigno (madrigal) / Cipriano de Rore -- Scaldava il sol (madrigal) / Luca Marenzio -- Cruda Amarilli (madrigal) / Claudio Monteverdi -- Moro, lasso, al mio duolo (madrigal) / Carlo Gesualdo -- 17th century: vocal. Perfidissimo volto (solo madrigal from Le Nuove Musiche) / Giulio Caccini -- Cruada Amarilli (solo madrigal) / Sigismondo d'India -- Flow my teares (lute song) ; Lachrimae Gementes (instrumental pavane) / John Dowland -- Zefiro torna (continuo madrigal from Scherzi musicali) / Claudio Monteverdi -- In ecclesiis (concertato motet from Symphoniae sacrae II) / Giovanni Gabrieli -- O quam tu pulchra es (from Symphonie sacrae I) ; Saul, Saul was verfolgst du mich? (from Symphoniarum Sacrarum Tertia Pars) / Heinrich Schütz -- Euridice (excerpts from scene 2) / Jacopo Peri -- Orfeo (excerpts from Act II). Vi ricordi through Ahi caso acerbo ; A l'amara novella through Ahi caso acerbo / Claudio Monteverdi -- L'incoronazione di Poppea (Act I, scene 3) / Claudio Monteverdi -- Jephte (oratorio). Cum autem victor through Cantate mecum ; Cum vidisset Jephte through Heu mihi! filia mea / Giacomo Carissimi -- Scipione Africano (Act II, scene 8) / Francesco Cavalli -- Alpi nevose e dure (cantata) / Antonio Cesti -- Alceste (Act II, scenes 7-8) / Jean-Baptiste Lully -- Dido and Aenas (concluding scene) / Henry Purcell -- 17th century: instrumental. John come kiss me now (from The Fitzwilliam Virginal Book) / William Byrd -- Jesus Christus unser Heiland, der von uns (from Tabulatura Nova, part III) / Samuel Scheidt -- Jesus Christus unser Heiland, der von uns (chorale melody) -- Toccata no. 8 (from Toccate e partite ... libro primo) ; Canzona dopo l'epistola (from La Messa della Domenica, Fiori musicale) / Girolamo Frescobaldi -- Suite VI / Johann Jacob Froberger -- Prélude a l'imitation de Mr. Froberger (unmeasured prelude) / Louis Couperin -- Sonata in dialogo, "La Viena" / Salamone Rossi -- Sonata a due Violini col suo basso continuo per l'organo / Giovanni Battista Vitali -- Sonata da camera a tre, opus 4, no. 5 / Arcangelo Corelli -- Rosary Sonata X (The Crucifixion of Christ) / Heinrich Ignaz Franz von Biber -- Sonata for violin and violone or cembalo, opus 5, no. 1 / Arcangelo Corelli -- 18th century: vocal. Su le sponde del Tebro (cantatas, Arias 3 and 4 and recitative) / Alessandro Scarlatti -- Admento. Act II, scenes 7 and 8 ; Act III, scene 6 / George Frideric Handel -- Hippolyte et Aricie (Act I, scene 2) / Jean-Philippe Rameau -- La serva padrona (intermezzo primo, excerpt) / Giovanni Battista Pergolesi -- Jesu, der du meine Seele, BWV 78 (cantata for the 14th Sunday after Trinity) / Johann Sebastian Bach -- 18th century: instrumental. Pièces de clavecin, Premier livre (Premier ordre, excerpts) / François Couperin -- Prelude and Fugue in D minor, BWV 851-852 (from Das wohltemperirte Clavier I) / Johann Sebastian Bach -- Sonata in D minor, K. 120 (L. 215) ; Sonata in D major, K. 119 (L. 415) / Domenico Scarlatti -- Violin concerto in G minor, opus 8, no. 8, RV 332 (from Il cimento dell'armonia e dell'inventione) / Antonio Vivaldi -- Musikalisches Opfer, BWV 1079. Canon 1. a cancrizans ; Canon 2. a 2 violini in unisono ; Canon 3. a 2 per Motum contrarium ; Canon 4. a 2 per Augmentationem, contrario Motu ; Canon perpetuus / Johann Sebastian Bach. |
