| Portion of title |
Anthology of Western music |
| Contents |
Volume One. Ancient to Baroque -- Volume Two. Classic to Romantic -- Volume Three. The twentieth century and after. |
| Contents |
Volume one. The ancient and medieval worlds. Music in antiquity. Epitaph of Seikilos -- Orestes. Stasimon chorus / Euripides -- Roman liturgy and chant. Mass for Christmas Day -- Chants from Vespers for Christmas Day. Tecum principum ; Christe Redemptor omnium -- Chants from Mass for Christmas Day. Puer natus: Quem queritis in presepe ; Alleluia Multipharie olim Deus ; Qui es sine principio, Tui sunt caeli -- Victimae paschali laudes / Attrib., Wipo ; Die iraes / Attrib., Thomas of Celano -- In principio omnes / Hildegard of Bingen -- Song and dance music to 1300. Can vei la lauzeta mover / Bernart de Ventadorn -- A chantar / Comtessa de Dia -- Jeu de Robin et de Marion. Robins m'aime / Adam de la Halle -- Palästinalied (Nū alrēst lebe ich mir werde) / Walther von der Vogelweide -- Cantigas de Santa María. Cantiga 159, Non sofre Santa María -- Le manuscrit du roi. La quarte estampie royal -- Polyphony through the thirteenth century. Musica enchiriadis. Tu patris semptiernus es filius ; Sit gloria domini ; Rex caeli domine -- Ad organum faciendum. Alleluia Justus ut palma -- Jubilemus, exultemus -- Viderunt omnes / Leoninus and colleagues -- Viderunt omnes. Clausulae, on Dominus -- Viderunt omnes / Perotinus -- Motets on tenor Dominus. Factum est salutare ; Fole acostumance ; Super te Ierusalem, Sed fulsit virginitas -- De ma dame vient/Dieus, comment porroie/Omnes / Adam de la Halle -- Aucun ont trouvé/Lonc tans/Annuntiantes / Petrus de Cruce (Pierre de la Croix) -- Sumer is icumen in -- New developments in the fourteenth century. Cum statua/Hugo, Hugo/Magister invidie / Philippe de Vitry -- La Messe de Nostre Dame ; Douce dame jolie ; Rose, liz, printemps, verdue / Guillaume de Machaut -- En remirant vo douce pourtraiture / Philipoctus de Caserta -- Non al suo amante / Jacopo da Bologna -- Così pensoso ; Non avrà ma' pietà / Francesco Landini -- The Renaissance. England and Burgundy in the fifteenth century. Alleluia: a new︠ ︡work -- Quam pulchra es / John Dunstable -- De plus en plus / Gilles Binchois -- Resvellies vous ; Christe, redemptor omnium ; Se la face ay pale ; Missa Se la face ay pale / Guillaume Du Fay -- Franco-Flemish composers, 1450-1520. Je ne puis vivre / Antoine Busnoys -- Missa prolationum / Jean de Ockeghem -- Choralis Constantinus. Puer natus est ; Innsbruck, ich muss dich lassen / Henricus Isaac -- Faulte d'argent ; Mille regretz ; Ave maria ... virgo serena ; Missa Pange lingua. Kyrie ; Credo (excerpt) / Josquin des Prez -- Madrigal and secular song in the sixteenth century. Oy comamos y bebamos / Juan del Encina -- Il bianco e dolce cigno / Jacques Arcadelt -- Da le belle contrade d'oriente / Cipriano de Rore -- Solo e pensoso / Luca Marenzio -- "Io parto" e non più dissi / Carlo Gesualdo -- Tant que vivray / Claudin de Sermisy -- Martin menoit son pourceau / Clément Janequin -- La nuict froide et sombre / Orlande de Lassus -- Revecy venir du prntans / Claude Le Jeune -- Ballettos. A lieta vita / Giovanni Giacomo Gastoldi ; Sing we and chant it / Tomas Morley -- As Vesta was / Thomas Weelkes -- Flow, my tears / John Dowland -- Sacred music in the era of the reformation. Nun komm, der Heiden & Ein feste Burg. Veni redemptor gentium / attrib. St. Ambrose ; Nun komm, der Heiden Heiland ; Ein feste Burg / Martin Luther -- Ein feste Burg / Johann Walter -- Psalm 134. Or sus, serviteurs du Seigneur / Loys Bourgeois -- Psalm 100. All people that on earth do dwell / William Kethe -- If ye love me / Thomas Tallis -- Sing joyfully unto God / William Byrd -- Ave regina caelorum / Nicholas Gombert -- Pope Marcellus Mass. Credo ; Agnus Dei I / Giovanni Pierluigi da Palestrina -- O magnum mysterium (motet) ; Missa O magnum mysterium. Kyrie ; Missa O magnmum mysterium. Gloria ; Missa O magnum mysterium. Sanctus / Tomas Luis de Victoria -- Cum essem parvulus / Orlande de Lassus -- The rise of instrumental music. Dances from Danserye. La dona, pavane ; La dona, galliard ; La morisque, moresca / Tielman Susato -- The night watch ; The fairie-round / Anthony Holborne -- Los seys libros del Delphin. Cancion Mille regres ; Cuatro diferencias sobre "Guárdame las vacas" / Luis de Narváez -- John come kiss me now / William Byrd -- Canzon septimi toni a 8 / Giovanni Gabrieli -- The seventeenth century. New styles in the seventeenth century. Cruda Amarilli / Claudio Monteverdi -- Vedrò 'l mio sol / Giolio Caccini -- The invention of opera. Le musiche sopra l'Euridice, excerpt. Aria: Nel pur ardor ; Dialogue in recitative: Per quel vago boschetto / Jacopo Peri -- L'Orfeo: excerpt from Act II. Aria/canzonetta: Vi ricorda o boschi ombrosi ; Song: Mira, deh mira Orfeo ; Dialogue in recitative: Ahi, caso acerbo ; Recitative: Tu se' morta ; Choral madrigal: Ahi, caso acerbo ; L'incoronazione di Poppea: Act 1, scene 3. Dialogue in recitative: Signor, deh non partire ; Aria: In un sospir ; Aria: Signor, sempre mi vedi ; Dialogue in mixed styles: Adorati miei rai / Claudio Monteverdi -- Artemisia: Act 1, scene 3. Aria: Dubbia m'appar la luce ; Dialogue in recitative: Vuo' legger l'epitafio ; Duet: Pietà di mie pene / Francesco Cavalli -- Music for chamber and church in the early seventeenth century. Lagrime mie / Barbara Strozzi -- In ecclesiis / Giovanni Gabrieli -- O quam tu pulchra es / Alessandro Grandi -- Historia di Jephte. Plorate colles ; Plorate filii Israel / Giacomo Carissimi -- Symphonie sacrae III. Saul, Saul, was verfolgst du mich, SWV 415 / Heinrich Sch z -- Toccata no. 3 ; Mass for the Madonna. Ricercare after the Credo / Girolamo Frescobaldi -- Sonata IV per il violino per sonar con due corde / Biagio Marini -- France, England, Spain, the New World, and Russia in the seventeenth century. Armide. Overture ; Conclusion of divertissement from Act II, scene 4: Laissons au tendre amour ; Act 2, scene 5: Enfin il est en ma puissance ; Te Deum / Jean-Baptiste Lully -- Le reniement de Saint Pierre. Narration and dialogue in recitative: Ministri ergo Judeorum ; Chorus: Et introductus est Petrus in domum ; Recitative and quartet: "Et tu cum Jesu Nazareno eras?" ; Chorus: Tunc respixit Jesus / Marc-Antoine Charpentier -- La coquette virtuose / Denis Gaultier -- Pièces de clavecin. Suite no. 3 in A minor / Elisabeth-Claude Jacquet de la Guerre -- Dido and Aenas. Recitative: Thy hand, Belindo ; Lament (ground bass aria): When I am laid in earth ; Chorus: With drooping wings / Henry Purcell -- La púrpura de la rosa. Excerpt. Dialogue in strophic song: Y bien, ¿qué es lo que adviertes? ; Chorus: Corred, corred, cristales / Tomás de Torrejón y Velasco -- Albricias pastores / Juan Gutiérrez de Padilla -- Italy and Germany in the late seventeenth century. Giulio Cesare in Egitto: Act II, scenes 3-4. Scene 3, recitative: Mostra Cleopatra ; Aria: Se qualcuna mi bramasse ; Scene 4, aria: Son prigioniero ; Trio: Vaga Lidia, ove sei? ; Aria: Alla carcere d'un crine / Antonio Sartorio -- Clori vezzosa, e bella. Conclusion. Recitative: Vivo penando ; Aria: Sì, sì ben mio ; La Griselda. Excerpt from Act I, scene 2 / Alessandro Scarlatti -- Trio sonata in D major, op. 3, no. 2 / Arcangelo Corelli -- Praeludium in E major, BuxWV 141 / Dieterich Buxtehude -- The eighteenth century. The early eighteenth century in Italy and France. L'estro armonico. Concerto for violin and orchestra in A minor, op. 3, no. 6 / Antonio Vivaldi -- Vingt-cinquième ordre. Excerpts. La visionaire ; La muse victorieuse ; Les ombres errantes / François Couperin -- Hippolyte et Aricie. Act IV, conclusion. Conclusion of Scene 3 ; Scene 4 / Jean-Philippe Rameau -- German composers of the late baroque. Paris Quartet no. 1 in G major (Concerto primo) TWV 43:G1. Movements 3-5 / Georg Philipp Telemann -- Prelude and Fugue in A minor, BWV 543 ; Chorale Prelude on Durch Adams Fall, BWV 637 ; The Well-Tempered Clavier, book 1. Prelude no. 8 in E-flat minor ; Fugue no. 8 in D-sharp minor ; Nun komm, der Heiden Heiland, BWV 62. No. 1, Chorus: Nun komm, der Heiden Heiland ; No. 2, Aria (tenor): Bewundert, o Menschen ; No. 3, Recitative (bass): So geht aus Gottes Herrlichkeit und Thron ; No. 4, Aria (bass): Streite, siege, starker Held! ; No. 5, Accompanied recitative (soprano and alto): Wir ehren diese Herrlichkeit ; No. 6, Chorale: Lob sei Gott, dem Vater, ton ; St. Matthew Passion, BWV 244. No. 36, Biblical narrative: Und der Hohepriester antwortete ; No. 37, Chorale: Wer hat dich so geschlagen ; No. 38, Biblical narrative: Petrus aber sass draussen im Palast ; No. 39, Aria: Erbarme dich ; No. 40, Chorale: Bin ich gleich von dir gewichen / Johann Sebastian Bach -- Giulio Cesare. Act II, scenes 1-2. Scene 1, Recitative: Eseguisti, oh Niren ; Scene 2, Recitative with Sinfonia: Da Cleopatra apprenda ; Aria: V'adoro, pupille ; Saul. Act II, scene 10. No. 66, Accompanied recitative: The time at length is come ; No. 67, Recitative: Where is the son of Jesse? ; No. 68, Chorus: O fatal consequence of rage / George Frideric Handel. |
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Volume two. The eighteenth century. Opera and vocal music in the early classic period. La serva padrona, excerpt. Recitative: Ah, quanto mi sta male ; Aria: Son imbrogliato io / Giovanni Battista Pergolesi -- Cleofide. Act II, scene 9, Digli ch'io son fedele / Johann Adolf Hasse -- Le devin du village, scene I / Jean-Jacques Rousseau -- The Beggar's Opera. Excerpt from Scene 13. Air XV: My heart was so free ; Air XVI: Were I laid on Greenland's coast / John Gay -- Orfeo ed Euridice. Beginning of Act II, scene 1 / Christoph Willibald Gluck -- The Continental Harmony. Creation / William Billings -- Instrumental music: sonata, symphony, and concerto. Sonata in D major, K. 119 / Domenico Scarlatti -- Keyboard Sonata in D major, op. 2, no. 1 (Illy no. 1) / Baldassare Galuppi -- Sonata in A major, H. 186, Wq. 55/4. Second movement, poco adagio / Carl Philipp Emanuel Bach -- Symphony in F major, J-C 32 / Giovanni Battista Sammartini -- Sinfonia a 8 in E-flat major, op. 11, no. 3. First movement / Johann Stamitz -- Concerto for harpsichord or piano and strings in E-flat major, op. 7, no. 5. First movement / Johann Christian Bach -- Classic music in the late eighteenth century. String quartet in E-flat major, op. 33, no. 2 (The Joke), Hob. III:38 ; Symphony no. 88 in G major, Hob. 1:88 ; The Creation. No. 2, In the beginning John / Joseph Haydn -- Piano sonata in F major, K. 332. First movement, allegro ; Piano concerto in A major, K. 488. First movement, allegro ; Symphony no. 41 in C major (Jupiter), K. 551. Finale ; Don Giovanni. Act I, scenes 1-2 ; Ave verum corpus, K. 618 / Wolfgang Amadeus Mozart -- The nineteenth century. Revolution and change. Piano sonata in C minor, op. 13 (Pathétique). First movement ; Symphony no. 3 in E-flat major, op. 55 (Eroica). First movement, allegro con brio ; String quartet in A minor, op. 132. Movements 3-5. Molto Adagio (Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart), Andante (Neue Kraft fühlend) ; Alla Marcia, assai vivace, Più allegro ; Allegro appassionata / Ludwig van Beethoven -- The Romantic generation: song and piano music. Gretchen am Spinnrade, D. 118 / Franz Schubert -- Dichterliebe, op. 48. Excerpts. No. 1, Im wunderschönen Monat Mai ; No. 2, Aus meinen Tränen spriessen ; No. 7, Ich grolle nicht ; No. 12, Am leuchtenden Sommermorgen ; No. 16, Die alten, bösen Lieder / Robert Schumann -- Jeanie with the light brown hair / Stephen Foster -- Impromptu in G-flat major, op. 90 (D. 899), no. 8 / Franz Schubert -- Carnaval, op. 9: nos. 5, 6, and 7. No. 5, Eusebius ; No. 6, Florestan ; No. 7, Coquette / Robert Schumann -- Das Jahr. No. 12, December / Fanny Mendelssohn Hensel -- Mazurka in B-flat major, op. 7, no. 1 ; Nocturne in D-flat major, op. 27, no. 2 / Fryderyk [Frederic] Chopin -- Trois études de concert. No. 3, Un sospiro / Franz Liszt -- Souvenir de Porto Rico (Marche des Gibaros), op. 31 / Louis Moreau Gottschalk -- Romanticism in classical forms: choral, chamber, and orchestral music. Die Nacht, op. 17, no. 4, D. 983c / Franz Schubert -- St. Paul, op. 36: nos. 13-16. No. 13, Recitative and Arioso: Und zog mit einer Schar ; No. 14, Recitative and chorus: Und als er auf dem Wege war ; No. 15, Chorus: Mache dich auf, werde Licht ; No. 16, Chorale: Wachet auf, ruft uns die Stimme / Felix Mendelssohn -- String quintet in C major, D. 956. First movement, allegro ma non troppo / Franz Schubert -- Piano trio in G minor, op. 17. Third movement, andante / Clara Schumann -- Symphonie Fantastique. Fifth movement, "Dream of a Witches' Sabbath" / Hector Berlioz -- Violin concerto in E minor, op. 64. First movement, allegro molto appassionato / Felix Mendelssohn -- Symphony no. 1 in B-flat major, op. 38 (Spring). First movement, andante un poco maestoso, allegro molto vivace / Robert Schumann -- Romantic opera and musical theater to midcentury. Il barbiere di Siviglia. Act I, no. 7. Una voce poco fa / Gioachino Rossini -- Norma. Excerpt from Act I, scene 4. Casta Diva / Vincenzio Bellini -- Les Huguenots. Conclusion of Act II. Orchestral introduction and scene: Entree de la Cour (Entrance of the court), Oui, d'un heureux hymne ; Slow section: Serment (Oath), Par l'honneur ; Accompanied recitative: Scène (Scene), Et maintenant ; Fast conclusion: Strette (Stretta), O transport! / Giacomo Meyerbeer -- Der Freisch z. Act II, Finale, Wolf's Glen scene. Chorus and dialogue: Milch des Mondes fiel aufs Kraut ; Accompanied recitative with spoken dialogue: Trefflich bedient! ; Melodrama: Sch ze, der im Dunkel wacht / Carl Maria von Weber -- Opera and musical theater in the later nineteenth century. Tristan und Isolde. Prelude and conclusion of Act I / Richard Wagner -- La Traviata. Act III, scena and duet. Scena: Signora ; Tempo d'attacco: Colpevol sono ; Cantabile: Parigi, o cara ; Tempo di mezzo: Ah non più ; Cabaletta: Ah! Gran Dio! Morir sì giovane / Giuseppe Verdi -- Madama Butterfly. Excerpt from Act I / Giacomo Puccini -- Carmen. Act I, no. 10. Seguidilla and Duet / Georges Bizet -- El barberillo de Lavapiés: nos. 9 and 10. No. 9, Seguidilla: En el templo di Marte ; No. 10, Finale to Act II: La puerta de esta casa / Francisco Asenjo Barbieri -- Boris Godunov. Coronation scene / Modest Mussorgsky -- The Pirates of Penzance. Act II, no. 17. When the foeman bares his steel / Arthur Sullivan -- Late Romanticism in German musical culture. Symphony no. 4 in E minor, op. 98. Fourth movement, allegro energico e passionato ; Quintet for piano and strings in F minor, op. 34. First movement, allegro non troppo / Johannes Brahms -- Don Quixote, op. 35. Themes and Variations 1-2 / Richard Strauss -- Diverging traditions in the later nineteenth century. Violin sonata in A major. Fourth movement, allegretto poco mosso / César Franck -- La bonne chanson, op. 61. No. 6, Avant que tu ne t'en ailles / Gabriel Fauré -- Symphony no. 6 in B minor (Pathétique), op. 74. Third movement, allegro molto vivace / Piotr Il'yich Tchaikvosky -- Slavonic dances, op. 46. No. 1, presto / Antonin Dvořák -- Gaelic Symphony (Symphony in E minor), op. 32. Second movement, alla siciliana, allegro vivace / Amy Beach -- The stars and stripes forever / John Philip Sousa. |
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Volume three. The early twentieth century: vernacular music. Maple Leaf Rag. Piano roll ; As played by Jelly Roll Morton / Scott Joplin -- The early twentieth century: the classical tradition. Kindertotenlieder. No. 1, Nun will die Sonn' so hell aufgeh'n / Gustav Mahler -- Salome, op. 54. Scene 4, conclusion. Ah! Ich habe deinen Mund gek st / Richard Strauss -- Nocturnes. No. 1: Nuages / Claude Debussy -- Rapsodie espagnole. Movements 1-2. Movement 1, Preludé à la nuit ; Movement 2, Malagueña / Maurice Ravel -- Homenaje / Manuel de Falla -- Suite no. 1 in E-flat for military band, op. 28, no. 1. Second movement, Intermezzo / Gustav Holst -- Prelude in G minor, op. 23, no. 5 / Serge Rachmaninoff [Rachmaninov] -- Vers la flamme, op. 72 / Alexander Scriabin -- Symphony no. 4 in A minor, op. 63. Third movement, Il tempo largo / Jean Sibelius -- Embryons desséchés. No. 3, De Podophthalma / Erik Satie -- Radical modernists. Pierrot Lunaire, op. 21. Excerpts. No. 8, Nacht ; No. 13, Enthauptung ; Piano suite, op. 25. Excerpts. Prelude ; Minuet and trio / Arnold Schoenberg -- Wozzeck, op. 7. Act III, scenes 2-3 / Alban Berg -- Symphony, op. 21. First movement, Ruhig schreitend / Anton Webern -- The Rite of Spring. Excerpts. Danse des adolescentes ; Danse sacrale ; Octet for wind instruments. First movement, Sinfonia / Igor Stravinsky -- Mikrokosmos. No. 123, Staccato and legato ; Music for strings, percussion and celesta. Third movement, adagio / Béla Bartók -- The Unanswered Question ; Piano sonata no. 2, Concord, Mass., 1840-1860. Third movement, The Alcotts / Charles Ives -- Between the World Wars: jazz and popular music. Girl Crazy. I got rhythm / George Gershwin -- Back water blues / Bessie Smith -- West End blues. Original sheet music (not on recording) ; Transcription of reading by Louis Armstrong and His Hot Five / King Oliver -- Cotton Tail / Duke Ellington -- Between the World Wars: the classical tradition. La création du monde, op. 81a. First tableau / Darius Milhaud -- Die Dreigroschenoper. Prelude, Die Moritat von Mackie Messer / Kurt Weill -- Symphony Mathis der Maler. Second movement, Grablegung / Paul Hindemith -- Alexander Nevsky, op. 78. Fourth movement, Arise, ye Russian people / Sergey Prokofiev [Sergei Prokofieff] -- Symphony no. 5, op. 47. Second movement, allegretto / Dmitri Shostakovich -- Bachianas brasileiras no. 5. No. 1, aria (cantilena) / Heitor Villa-Lobos -- Hyperprism / Edgard Varèse -- The banshee / Henry Cowell -- String quartet 1931. Fourth movement, allegro possibile / Ruth Crawford Seeger -- Appalachian Spring. Excerpt with variations on 'Tis the gift to be simple / Aaron Copland -- Afro-American symphony (Symphony no. 1). First movement, moderato assai / William Grant Still -- Postwar crosscurrents. Anthropology. Lead sheet ; Transcription of Charlie Parker's solo / Charlie Parker and Dizzy Gillespie -- So what / Miles Davis -- Giant steps / John Coltrane -- West Side Story. Act I, no. 8. Cool / Leonard Bernstein -- Postwar heirs to the classical tradition. Peter Grimes. Act III, Scene 2. To hell with all your mercy! / Benjamin Britten -- Quatuor pour la fin du temps. First movement, Liturgie de cristal / Olivier Messiaen -- Le marteau sans maître. Movement 6, Bourreaux de solitude / Pierre Boulez -- Sonatas and interludes. Sonata V ; Music of changes. Book I / John Cage -- Poème électronique / Edgard Varèse -- Philomel. Section I / Milton Babbitt -- Threnody for the victims of Hiroshima / Krzysztof Penderecki -- The late twentieth century. Seven tunes heard in China. No. 1, Seasons / Bright Sheng -- Come out / Steve Reich -- Short ride in a fast machine / John Adams -- Étude no. 9. Vertige / György Ligeti -- Rejoice! Sonata for violin and violoncello. Fifth movement, Listen to the small still voice within / Sofia Gubaidulina -- Concerto grosso no. 1. Second movement, toccata / Alfred Schnittke -- Seven magnificat antiphons. Excerpts. No. 1, O Weisheit ; No. 6, O König aller Völker / Arvo Pärt -- The twenty-first century. L'amour de loin. Act IV, scene 3. Tempête / Kaija Saariaho -- Partita for 8 voices. First movement, Allemande / Caroline Shaw -- La Pasión según San Marcos: nos. 24-26. No. 24, Escarnio y Negación ; No. 25, Desgarro de la Túnica ; No. 26, Lúa descolorida (Aria de las lágrimas de Pedro) / Osvaldo Golijov -- Violin concerto, Concentric Paths, op. 23. First movement, Rings / Thomas Adès -- Doctor Atomic. Act I, Conclusion. Batter my heart / John Adams -- Blue Cathedral / Jennifer Higdon. |
| Abstract |
This comprehensive collection of 229 outstanding teaching pieces illustrates every significant trend and genre of Western music from antiquity to modern times. Each is considered from multiple perspectives - as an example of a style, a composer's output, in relation to other pieces, or as an illustration of a particular technique. Commentaries by Peter Burkholder offer insights and explanations alongside texts and translations, as well as embedded questions to help readers engage with the score more critically. The Eighth Edition offers thirty-six new or expanded selections, from new examples of medieval chant to twenty-first-century works such as Caroline Shaw's Pulitzer Prize-winning "Partita for 8 Voices" and "Concentric Paths", a violin concerto by Thomas Adès. French music has been added in several centuries, and examples from Spain and Latin America now appear in every century from the fifteenth to the twenty-first. |
| General note | Includes indexes in all volumes, all referencing their respective volume. |
| General note | Each volume starts with a guide on how to use the anthology, acknowledgements, and pitch designations and ends with appendixes and indexes titled Instrument names and abbreviations, glossary of score and performance indications, index of composers, index of titles, and index of forms and genres. |
| General note | Includes vocal, instrumental music, jazz, and electronic music with accompanying analyses. |
| General note | Spiralbound. |
| Language | Vocal works with English, French, German, Greek, Italian, Latin, or Russian words, also printed as text with English translation. |
| Language | Text in English for accompanying analyses. |
| ISBN | 9780393656411 (volume one) |
| ISBN | 0393656411 (volume one) |
| ISBN | 9780393656428 (volume two) |
| ISBN | 039365642X (volume two) |
| ISBN | 9780393656435 (volume three) |
| ISBN | 0393656438 (volume three) |
