Musical genre and romantic ideology belonging in the age of originality / Matthew Gelbart.
| Author/creator | Gelbart, Matthew |
| Other author | Oxford University Press. |
| Format | Electronic |
| Publication Info | Oxford, United Kingdom : Oxford University Press, [2022] |
| Description | xi, 540 pages : chart, music ; 25 cm. |
| Supplemental Content | Full text available from Oxford Scholarship Online |
| Subjects |
| Portion of title | Belonging in the age of originality |
| Series | AMS studies in music AMS studies in music. ^A610677 |
| Contents | Prologue : Romantic generic legacies -- Part I : Words, ideas, systems, ideology. music's worldliness ; Word and concept : the uses and abuses of "genre" -- Part II : Romantic genres at work in music. "Each sort must have its music" : genres and audience communities ; A symphony by any other name : title as/and/against genres ; Nations and composers as "genres" : listening across borders to Verdi's Les vêpres siciliennes ; Wagner's Meistersinger von Nürnberg and the generic dilemma of the avant-garde -- Part II : Romanticism, genres, and the present. Genres in interpretation : reception traditions and allusion in Brahms ; Layered genres and the development of modern listening : form piano transcriptions ot audio streaming. |
| Bibliography note | Includes bibliographical references (pages 457-504) and index. |
| Access restriction | Available only to authorized users. |
| Technical details | Mode of access: World Wide Web |
| Genre/form | Electronic books. |
| LCCN | 2022912062 |
| ISBN | 0190646926 |
| ISBN | 9780190646929 |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Electronic Resources | Access Content Online | ✔ Available |