Ars antiqua : music and culture in Europe c. 1150-1330 / edited by Gregorio Bevilacqua and Thomas B. Payne.
Other author/creator | Bevilacqua, Gregorio, editor. |
Other author/creator | Payne, Thomas Blackburn, 1958- editor. |
Format | Book and Print |
Publication Info | Turnhout, [Belgium] : Brepols, 2020. |
Description | xviii, 317 pages : illustrations, music, facsimiles, charts ; 27 cm. |
Subject(s) |
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Variant title | Music and culture in Europe, c. 1150-1300 |
Series | Speculum musicae ; volume XL Speculum musicae ; v. 40. ^A533566 |
Contents | Introduction / Gregorio Bevilacqua [and] Thomas B. Payne -- The production of polyphonic conductus collections in ars antiqua manuscripts / Gregorio Bevilacqua -- Texting vocality: musical and material poetics of the voice in medieval Latin song / Mary Channen Caldwell -- Poetic and melodic recurrences in the thirteenth-century refrain repertoire / Anne Ibos-Augé -- Franco of Cologne, Ars canus mensuravilis: ligature, notation and mode / Kaho Inoue -- L'audito del pulchum musicale in Tommaso d'Aquino e Bonaventura da Bagnoregio / Matteo Macinanti -- The corpus of sequences for Saint Anthony of Padua: a study of the musical sources / Mausica Morandi -- Britain's cleric composers: poetic stress and ornamentation in Worldes blis / Grace Newcombe -- Vetus abit littera: from the old to the new law in Parisian conductus / Thomas B. Payne -- Conductus sine musica: some thoughts on the poetic sources of Latin songs / Anne-Zoé Rillon-Marne -- Mapping melodic composition: a metadata approach to understanding the creation of Parisian organum dupulm / Jennifer Louise Roth-Burnette -- Polyphonic music in the British Isles c. 1300: networks of practice / Amy Williamson. |
Abstract | This volume presents new contributions that address the principal polyphonic genres of the time (organum, motet, conductus) as well as vernacular and monophonic songs, issues of musical and poetic aesthetics, manuscript tradition and production, authorship, liturgical practices, the continuance of "ars antiqua" ideas well into the fourteenth-century era of the "ars nova", and the role that information technologies may play in future "ars antiqua" scholarship. The long thirteenth-century saw the emergence and proliferation of a diverse and unprecedented outpouring of musical activity known as the "ars antiqua". Polyphonic, monophonic, liturgical, paraliturgical, secular, Latin, and vernacular genres were cultivated and disseminated throughout Europe on a scale not seen since the imposition of the liturgical plainchant repertory centuries earlier. This volume presents eleven new contributions that address the principal polyphonic genres of the time (organum, motet, conductus) as well as vernacular and monophonic songs, issues of musical and poetic aesthetics, manuscript tradition and production, authorship, liturgical practices, the continuance of "ars antiqua" ideas well into the fourteenth-century era of the "ars nova", and the role that information technologies may play in future "ars antiqua" scholarship. With its examination of musical and cultural contributions from all across Europe through a wide variety of different perspectives by a range of scholars from all over the globe, this book both contributes to and substantiates the healthy state of inquiry into one of the most significant artistic achievements of pre-modern Europe. |
Bibliography note | Includes bibliographical references and index. |
ISBN | 9782503590998 cloth |
ISBN | 2503590993 |
Standard identifier# | 9782503590998 |
Available Items
Library | Location | Call Number | Status | Item Actions | |
Music | Music Stacks | ML172 .A78 2020 | ✔ Available | Place Hold |