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020 a| 9781474423083 (hardback);

020 a| 1474423086 (hardback);

020 z| 9781474423090 (webready PDF);

020 z| 9781474423106 (epub);

035 a| (WaSeSS)ssj0001986036;

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050 00 a| PN1995.9.V3b| H83 2017;

082 04 a| 791.436752| 23;

100 1 a| Hudson, Dale M.,d| 1965-;

245 10 a| Vampires, race, and transnational Hollywoodsh| [electronic resource] /c| Dale Hudson.;

260 a| Edinburgh :b| Edinburgh University Press,c| [2017];

300 a| xiii, 282 pages :b| illustrations (some color) ;c| 24 cm.;

490 1 a| Traditions in American cinema;

504 a| Includes filmography (pages 240-244), bibliographical references (pages 245-263) and index.;

505 0 a| Introduction: migrations and mutations -- Blood, bodies, and borders -- "Making" Americans from foreigners -- Classical Hollywood vampires: the unnatural whiteness of America -- International Hollywood vampires: cosmopolitanisms of "foreign movies" -- Vampires of color: a critique of multicultural whiteness -- Terrorist vampires: religious heritage or planetary advocacy -- Other vampires, other Hollywoods: serialized citizenship and narrowcast difference -- Conclusion: history and Hollywood, mashed-up.;

506 a| Available only to authorized users.;

520 8 a| Dale Hudson explores the movement of transnational Hollywood's vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa. As the vampire's popularity has swelled, vampire film and television has engaged with changing discourses around race and identity not always addressed in realist modes. Here, teen vampires comfort misunderstood youth, chador-wearing skateboarder vampires promote transnational feminism, African American and Mexican American vampires recover their repressed histories. Looking at contemporary hits like True Blood, Twilight, Underworld and The Strain, classics such as Universal's Dracula and Dracula, and miscegenation melodramas like The Cheat and The Sheik, the book reconfigures Hollywood historiography and tradition as fundamentally transnational, offering fresh interpretations of vampire media as trans-genre sites for political contestation.;

538 a| Mode of access: World Wide Web;

650 0 a| Vampire filmsx| History and criticism.;

650 7 a| Vampire films.2| fast0| (OCoLC)fst01163964;

655 0 a| Electronic books.;

830 0 a| Traditions in American cinema.;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=5011686;

947 a| (OCoLC)ocn988185559;

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Vampires, race, and transnational Hollywoods / Dale Hudson.

Author/creator	Hudson, Dale M., 1965-
Format	Electronic
Publication Info	Edinburgh : Edinburgh University Press, [2017]
Description	xiii, 282 pages : illustrations (some color) ; 24 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Vampire films--History and criticism.

Series	Traditions in American cinema Traditions in American cinema.
Contents	Introduction: migrations and mutations -- Blood, bodies, and borders -- "Making" Americans from foreigners -- Classical Hollywood vampires: the unnatural whiteness of America -- International Hollywood vampires: cosmopolitanisms of "foreign movies" -- Vampires of color: a critique of multicultural whiteness -- Terrorist vampires: religious heritage or planetary advocacy -- Other vampires, other Hollywoods: serialized citizenship and narrowcast difference -- Conclusion: history and Hollywood, mashed-up.
Summary	Dale Hudson explores the movement of transnational Hollywood's vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa. As the vampire's popularity has swelled, vampire film and television has engaged with changing discourses around race and identity not always addressed in realist modes. Here, teen vampires comfort misunderstood youth, chador-wearing skateboarder vampires promote transnational feminism, African American and Mexican American vampires recover their repressed histories. Looking at contemporary hits like True Blood, Twilight, Underworld and The Strain, classics such as Universal's Dracula and Dracula, and miscegenation melodramas like The Cheat and The Sheik, the book reconfigures Hollywood historiography and tradition as fundamentally transnational, offering fresh interpretations of vampire media as trans-genre sites for political contestation.
Bibliography note	Includes filmography (pages 240-244), bibliographical references (pages 245-263) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2017297027
ISBN	9781474423083 (hardback)
ISBN	1474423086 (hardback)

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Vampires, race, and transnational Hollywoods / Dale Hudson.

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