Apocalypse cinema / Stephen Prince.

Author/creator Prince, Stephen
Format Electronic
Publication InfoNew Brunswick : Rutgers University Press, 2021.
Descriptionpages cm
Supplemental ContentFull text available from Ebook Central - Academic Complete
Subjects

SeriesQuick takes: movies and popular culture
Contents Sources and traditions in apocalyptic cinema -- Astrophobia -- I'm not saying we wouldn't get our hair mussed -- The revenge of nature.
Abstract "Movie audiences know exactly how the world will end because popular cinema has never stopped rehearsing the apocalypse. In this clear, concise account, Stephen Prince illuminates the appeal of apocalypse cinema, its roots in literary and religious tradition, its presence throughout cinema history, and the existential fears and anxieties that motivate it. In four elegant chapters, Prince examines the key threats to human existence that bring about world's end - collisions with giant asteroids, invasions by planet-devouring aliens, nuclear war, global warming and deadly pandemics. Touching on films ranging from The End of the World (1916), The Rapture (1991), Signs (2002), Armageddon (1998), Deep Impact (1998), Melancholia (2011), These Final Hours (2015), The War of the Worlds (1953), Invasion of the Body Snatchers (1956), Independence Day (1996), Annihilation (2018), Avengers: Infinity War (2018), Avengers: Endgame (2019) and many more, Apocalypse Cinema shows how apocalypse movies explore fundamental questions of existence that never go out of fashion"-- Provided by publisher.
Bibliography noteIncludes bibliographical references and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2020043868
ISBN9781978819849 (paperback)
ISBN9781978819856 (cloth)
ISBN(epub)
ISBN(mobi)
ISBN(pdf)

Availability

Library Location Call Number Status Item Actions
Electronic Resources Access Content Online ✔ Available