| Series |
Music/culture
Music/culture. ^A390481
|
| Contents |
1. The Distinctions of Cultures Without Distinction. Youth and their Social Spaces -- 2. Authenticities from Record Hops to Raves (and the History of Disc Culture). The Authentication of a Mass Medium. Industrial Forces, Musician Resistance and 'Live' Ideology. 'Real' Events and Altered Spaces. Disc Jockeys and Social Sounds. The Authenticities of Dance Genres. The Response of the 'Live' Gig -- 3. Exploring the Meaning of the Mainstream (or why Sharon and Tracy Dance around their Handbags). A Night of Research. Academic Accounts of the Cultural Organization of Youth. The Social Logic of Subcultural Capital. Participation versus Observation of Dance Crowds -- 4. The Media Development of 'Subcultures' (or the Sensational Story of 'Acid House'). The Underground versus the Overexposed. Mass Media: 'Selling Out' and 'Moral Panic'. Micro-Media: Flyers, Listings, Fanzines, Pirates. Niche Media: the Editorial Search for Subcultures. |
| General note | "Wesleyan University Press." |
| General note | Originally published: Cambridge, UK : Polity Press in association with Blackwell Publishers, 1995. |
| Bibliography note | Includes bibliographical references (pages 169-187) and index. |
| LCCN | 95061500 |
| ISBN | 0819552917 |
| ISBN | 9780819552914 |
| ISBN | 0819562971 (pbk.) |
| ISBN | 9780819562975 (pbk.) |
