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008 950113s1995 nyug b 001 0 eng ;

010 a| 95003301;

020 a| 0815311877;

035 a| (Sirsi) o31938596;

035 a| (OCoLC)31938596;

049 a| EREM;

050 00 a| MT6.W4147b| T4 1995;

082 00 a| 781.2/82| 20;

100 1 a| White, John David,d| 1931-=| ^A36216;

245 10 a| Theories of musical texture in Western history /c| by John D. White.;

260 a| New York :b| Garland Pub.,c| 1995.;

300 a| xvi, 431 pages :b| music ;c| 23 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Garland reference library of the humanities ;v| vol. 1678;

490 1 a| Perspectives in music criticism and theory ;v| vol. 1;

504 a| Includes bibliographical references (p. 401-410) and index.;

505 00 g| Part I.t| Theories of scales, tunings, and temperaments:t| Introduction;g| 1.t| Pythagorean scale;g| 2.t| Modes and tetrachords of ancient Greece;g| 3.t| Church modes and the Guidonian hexachord system;g| 4.t| Mean-tone temperament;g| 5.t| Equal temperament;g| 6.t| Major and minor modes and chromaticismg| 7.t| Twentieth-century modes and scales --g| Part II.t| Theories of rhythm:t| Introduction;g| 8.t| Ancient rhetoric to modal rhythm;g| 9.t| Mensural notation and the Franconian modes;g| 10.t| Bar lines and meter signatures;g| 11.t| Twentieth-century rhythms --g| Part III.t| Theories of polyphony:t| Introduction;g| 12.t| Organum and the medieval motet;g| 13.t| Renaissance polyphony;g| 14.t| Tonal counterpoint and the Baroque fugue;g| 15.t| Counterpoint of J.S. Bach;g| 16.t| Textures of the Classical period;g| 17.t| Romantic textures;g| 18.t| Twentieth-century textures --t| Epilogue.;

650 0 a| Music theoryx| History.=| ^A1018539;

830 0 a| Perspectives in music criticism and theory ;v| vol. 1.=| ^A373019;

830 0 a| Garland reference library of the humanities ;v| vol. 1678.=| ^A654521;

596 a| 3;

998 a| 589521;

999 a| MT6.W4147 T4 1995w| LCc| 1i| 30372009343036d| 12/9/2022e| 11/17/2022f| 5/7/2024g| 4l| MSTm| JMUSICn| 51p| $67.00q| 4r| Ys| Yt| MGESBKu| 10/16/1995x| BOOKz| MCIRCo| .STAFF. 0;

Theories of musical texture in Western history / by John D. White.

Author/creator	White, John David, 1931-
Format	Book
Publication Info	New York : Garland Pub., 1995.
Description	xvi, 431 pages : music ; 23 cm.
Subjects	Music theory--History.

Series	Garland reference library of the humanities ; vol. 1678 Perspectives in music criticism and theory ; vol. 1 Perspectives in music criticism and theory ; vol. 1. ^A373019 Garland reference library of the humanities ; vol. 1678. ^A654521
Contents	Part I. Theories of scales, tunings, and temperaments: Introduction; 1. Pythagorean scale; 2. Modes and tetrachords of ancient Greece; 3. Church modes and the Guidonian hexachord system; 4. Mean-tone temperament; 5. Equal temperament; 6. Major and minor modes and chromaticism 7. Twentieth-century modes and scales -- Part II. Theories of rhythm: Introduction; 8. Ancient rhetoric to modal rhythm; 9. Mensural notation and the Franconian modes; 10. Bar lines and meter signatures; 11. Twentieth-century rhythms -- Part III. Theories of polyphony: Introduction; 12. Organum and the medieval motet; 13. Renaissance polyphony; 14. Tonal counterpoint and the Baroque fugue; 15. Counterpoint of J.S. Bach; 16. Textures of the Classical period; 17. Romantic textures; 18. Twentieth-century textures -- Epilogue.
Bibliography note	Includes bibliographical references (p. 401-410) and index.
LCCN	95003301
ISBN	0815311877

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Music	Music Stacks	MT6.W4147 T4 1995	✔ Available	Place Hold

Theories of musical texture in Western history / by John D. White.

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