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100 1 a| Zhang, Yingc| (History teacher)?| UNAUTHORIZED;

245 10 a| Religion and prison art in Ming China (1368-1644)h| [electronic resource] :b| creative environment, creative subjects /c| by Ying Zhang.;

260 a| Leiden ;a| Boston :b| Brill,c| [2020];

300 a| 102 pages :b| color illustrations ;c| 24 cm.;

490 1 a| Brill research perspectives in religion and the arts;

504 a| Includes bibliographical references. (pages 94-102).;

505 0 a| Creative nature and the calendar in prison poetry -- The self in nature, ritual, and poetry -- The literati art of living in confinement -- The art of living : nourishing life, transcending the form.;

506 a| Available only to authorized users.;

520 8 a| Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture. The Ming is known for its extraordinary cultural and economic accomplishments in the increasingly globalized early modern world. For scholars of Chinese religion and art, this era crystalizes the essential and enduring characteristics in these two spheres. Drawing on scholarship on Chinese philosophy, religion, aesthetics, poetry, music, and visual and material culture, Zhang illustrates how the prisoners understood their environment as creative and engaged it creatively. She then offers a literature survey on the characteristics of premodern Chinese religion and art that helps situate the questions of "creative environment" and "creative subject" within multiple fields of scholarship;

538 a| Mode of access: World Wide Web;

648 7 a| 1368-19122| fast;

650 0 a| Prisoners as artistsz| Chinax| History.=| ^A836201;

650 0 a| Prisoners as authorsz| Chinax| History.=| ^A117677;

650 0 a| Arts and religionz| Chinax| History.=| ^A55403;

650 0 a| Arts, Chinesey| Ming-Qing dynasties, 1368-1912x| Themes, motives.=| ^A175637;

650 7 a| Arts and religion.2| fast0| (OCoLC)fst00815425;

650 7 a| Art, Chinesex| Ming-Qing dynasties.2| fast0| (OCoLC)fst01906786;

650 7 a| Prisoners as artists.2| fast0| (OCoLC)fst01077220;

650 7 a| Prisoners as authors.2| fast0| (OCoLC)fst01077222;

651 7 a| China.2| fast0| (OCoLC)fst01206073?| UNAUTHORIZED;

655 0 a| Electronic books.=| ^A491897;

830 0 a| Brill research perspectives.p| Religion and the arts.?| UNAUTHORIZED;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=6185697;

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Religion and prison art in Ming China (1368-1644) creative environment, creative subjects / by Ying Zhang.

Author/creator	Zhang, Ying
Format	Electronic
Publication Info	Leiden ; Boston : Brill, [2020]
Description	102 pages : color illustrations ; 24 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Prisoners as artists--China. --History. Prisoners as authors--China. --History. Arts and religion--China. --History. Arts, Chinese--Ming-Qing dynasties, 1368-1912. --Themes, motives. China--Officials and employees. --Conduct of life. --History.

Series	Brill research perspectives in religion and the arts Brill research perspectives. Religion and the arts. UNAUTHORIZED
Contents	Creative nature and the calendar in prison poetry -- The self in nature, ritual, and poetry -- The literati art of living in confinement -- The art of living : nourishing life, transcending the form.
Summary	Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture. The Ming is known for its extraordinary cultural and economic accomplishments in the increasingly globalized early modern world. For scholars of Chinese religion and art, this era crystalizes the essential and enduring characteristics in these two spheres. Drawing on scholarship on Chinese philosophy, religion, aesthetics, poetry, music, and visual and material culture, Zhang illustrates how the prisoners understood their environment as creative and engaged it creatively. She then offers a literature survey on the characteristics of premodern Chinese religion and art that helps situate the questions of "creative environment" and "creative subject" within multiple fields of scholarship
Bibliography note	Includes bibliographical references. (pages 94-102).
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2020934354
ISBN	9789004432604 (paperback)
ISBN	9004432604 (paperback)

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Religion and prison art in Ming China (1368-1644) creative environment, creative subjects / by Ying Zhang.

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