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001 ssj0001440966;

003 WaSeSS;

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006 m d ;

007 cr n ;

008 141006s2015 mdua sbq 001 0 eng d;

010 a| 2014037151;

020 a| 9781442245235 (hardback : alk. paper);

020 a| 9781442245242 (ebook);

035 a| (WaSeSS)ssj0001440966;

040 a| DLCb| engc| DLCd| WaSeSS;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| PN1995.9.P43b| S74 2015;

082 00 a| 791.43/6572| 23;

100 1 a| Sterba, Wendy,d| 1955-?| UNAUTHORIZED;

245 10 a| Reel photosh| [electronic resource] :b| balancing art and truth in contemporary film /c| Wendy Sterba.;

260 a| Lanham :b| Rowman & Littlefield,c| [2015];

300 a| xviii, 203 pages :b| illustrations ;c| 24 cm;

504 a| Includes bibliographical references (pages 191-196) and index.;

504 a| Includes filmography (pages 187-190).;

505 0 a| The loss of photographic objectivity: Anonioni's Blowup -- The photograph in the inverted noir film: love crimes -- Photographic evidence and detecting truth -- Alice in furs -- Media hype and Mona Lisa -- The portrait photographer: Pecker, The governess and closer -- Change in concept, circuits and the hyperreal: papparazzi, Strange days and somebody has to shoot the picture -- Strange loops dystopian films from Invisible adversaries to Inception -- Over the edge? the photograph and The circuit -- Adorno, Benjamin and hope for the photograph, In the good night -- Filmography.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 0 a| Photography in motion pictures.?| UNAUTHORIZED;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=1974883;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 5812101;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5812101-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 4/15/2022x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5812101-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 4/15/2022x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5812101-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 4/15/2022x| EBOOKz| JERESOURCE;

Reel photos balancing art and truth in contemporary film / Wendy Sterba.

Author/creator	Sterba, Wendy, 1955-
Format	Electronic
Publication Info	Lanham : Rowman & Littlefield, [2015]
Description	xviii, 203 pages : illustrations ; 24 cm
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Photography in motion pictures.

Contents	The loss of photographic objectivity: Anonioni's Blowup -- The photograph in the inverted noir film: love crimes -- Photographic evidence and detecting truth -- Alice in furs -- Media hype and Mona Lisa -- The portrait photographer: Pecker, The governess and closer -- Change in concept, circuits and the hyperreal: papparazzi, Strange days and somebody has to shoot the picture -- Strange loops dystopian films from Invisible adversaries to Inception -- Over the edge? the photograph and The circuit -- Adorno, Benjamin and hope for the photograph, In the good night -- Filmography.
Bibliography note	Includes bibliographical references (pages 191-196) and index.
Bibliography note	Includes filmography (pages 187-190).
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2014037151
ISBN	9781442245235 (hardback : alk. paper)
ISBN	9781442245242 (ebook)

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Reel photos balancing art and truth in contemporary film / Wendy Sterba.

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