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020 a| 9780521888493 (hbk);

020 a| 0521888492 (hbk);

020 a| 9780521716598 (pbk);

020 a| 0521716594 (pbk);

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245 04 a| The Cambridge companion to Gilbert and Sullivanh| [electronic resource] /c| edited by David Eden and Meinhard Saremba.;

260 a| Cambridge, UK ;a| New York :b| Cambridge University Press,;

300 a| xiii, 274 p. :b| ill., music ;c| 26 cm.;

440 0 a| Cambridge companions to music;

504 a| Includes bibliographical references and index.;

505 0 a| Part I. Background: -- Savoy opera and its discontents: the theatrical background to a quarrel / David Eden -- Identity crisis and the search for English opera: the Savoy Theatre in the 1890s / William Parry -- Resituating Gilbert and Sullivan: the musical and aesthetic context / Benedict Taylor -- 'We sing as one individual'?: popular misconceptions of 'Gilbert and Sullivan' / Meinhard Saremba -- Part II. Focus: -- The operas in context: stylistic elements - the Savoy and beyond / Richard Silverman -- The librettos in context: Gilbert's 'Fables in Song' / Horst Dölvers -- 'This particularly rapid, unintelligible patter': patter songs and the word-music relationship / Laura Kasson Fiss -- Standing still and moving forward: The Mikado, Haddon Hall, and concepts of time in the Savoy operas / Michael Beckerman -- Musical contexts I: motives and methods in Sullivan's allusions / James Brooks Kuykendall -- Musical contexts II: characterisation and emotion in the Savoy operas / Martin T. Yates -- Part III. Reception: -- Topsy-Turvy: a personal journey / Mike Leigh -- Amateur tenors and choruses in public: the amateur scene / Ian Bradley -- Champions and aficionados: amateur and listener experiences of the Savoy operas in performance / Stephanie Pitts -- 'How great thy charm, thy sway how excellent!': tracing Gilbert and Sullivan's legacy in the American musical / Raymond Knapp -- 'See how the Fates their gifts allot': the reception of productions and translations in continental Europe / Jana Polianovskaia -- Part IV. Into the Twenty-First Century: -- Adventures in musical detection: scholarship, editions, productions and the future of the Savoy operas / David Russell Hulme -- Appendix 1: Who wrote the overtures? -- Appendix 2: Stage and choral works by Arthur Sullivan and W. S. Gilbert -- Appendix 3: Modern editions of works by Arthur Sullivan and W. S. Gilbert.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

600 10 a| Sullivan, Arthur,d| 1842-1900.t| Operas.=| ^A495203;

600 10 a| Gilbert, W. S.q| (William Schwenck),d| 1836-1911x| Criticism and interpretation.=| ^A21957;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Eden, David,d| 1942-=| ^A916007;

700 1 a| Saremba, Meinhard,d| 1960-?| UNAUTHORIZED;

710 2 a| Cambridge University Press.=| ^A50532;

856 40 z| Full text available from Cambridge Companionsu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Fdoi.org%2F10.1017%2FCCOL9780521888493;

947 a| (OCoLC)ocn311769373;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5806395-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 4/15/2022x| EBOOKz| JERESOURCE;

The Cambridge companion to Gilbert and Sullivan / edited by David Eden and Meinhard Saremba.

Other author	Eden, David, 1942-
Other author	Saremba, Meinhard, 1960-
Other author	Cambridge University Press.
Format	Electronic
Publication Info	Cambridge, UK ; New York : Cambridge University Press,
Description	xiii, 274 p. : ill., music ; 26 cm.
Supplemental Content	Full text available from Cambridge Companions
Subjects	Sullivan, Arthur, 1842-1900. Operas. Gilbert, W. S. (William Schwenck), 1836-1911--Criticism and interpretation.

Series	Cambridge companions to music
Contents	Part I. Background: -- Savoy opera and its discontents: the theatrical background to a quarrel / David Eden -- Identity crisis and the search for English opera: the Savoy Theatre in the 1890s / William Parry -- Resituating Gilbert and Sullivan: the musical and aesthetic context / Benedict Taylor -- 'We sing as one individual'?: popular misconceptions of 'Gilbert and Sullivan' / Meinhard Saremba -- Part II. Focus: -- The operas in context: stylistic elements - the Savoy and beyond / Richard Silverman -- The librettos in context: Gilbert's 'Fables in Song' / Horst Dölvers -- 'This particularly rapid, unintelligible patter': patter songs and the word-music relationship / Laura Kasson Fiss -- Standing still and moving forward: The Mikado, Haddon Hall, and concepts of time in the Savoy operas / Michael Beckerman -- Musical contexts I: motives and methods in Sullivan's allusions / James Brooks Kuykendall -- Musical contexts II: characterisation and emotion in the Savoy operas / Martin T. Yates -- Part III. Reception: -- Topsy-Turvy: a personal journey / Mike Leigh -- Amateur tenors and choruses in public: the amateur scene / Ian Bradley -- Champions and aficionados: amateur and listener experiences of the Savoy operas in performance / Stephanie Pitts -- 'How great thy charm, thy sway how excellent!': tracing Gilbert and Sullivan's legacy in the American musical / Raymond Knapp -- 'See how the Fates their gifts allot': the reception of productions and translations in continental Europe / Jana Polianovskaia -- Part IV. Into the Twenty-First Century: -- Adventures in musical detection: scholarship, editions, productions and the future of the Savoy operas / David Russell Hulme -- Appendix 1: Who wrote the overtures? -- Appendix 2: Stage and choral works by Arthur Sullivan and W. S. Gilbert -- Appendix 3: Modern editions of works by Arthur Sullivan and W. S. Gilbert.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2009022104
ISBN	9780521888493 (hbk)
ISBN	0521888492 (hbk)
ISBN	9780521716598 (pbk)
ISBN	0521716594 (pbk)

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The Cambridge companion to Gilbert and Sullivan / edited by David Eden and Meinhard Saremba.

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