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010 a| 2020940108;

020 a| 9780198858003q| (hardback);

035 a| (WaSeSS)ssj0002546667;

049 a| EREEa| NEHH;

050 00 a| MLCM 2022/40134 (N);

100 1 a| Siegel, Jonah,d| 1963-=| ^A463074;

245 10 a| Material inspirationsh| [electronic resource] :b| the interests of the art object in the nineteenth century and after /c| Jonah Siegel.;

260 a| New York, NY :b| Oxford University Press,c| 2020.;

300 a| xxviii, 373 pages :b| illustrations ;c| 24 cm;

500 a| Minimal Level Cataloging Plus.5| DLC;

504 a| Includes bibliographical references and index.;

506 a| Available only to authorized users.;

520 a| "This book is a study of the relationship between matter and idea that shaped the nineteenth-century culture of art, and that in turn determined the course of still-current accounts of art's nature and value. Drawing on recent scholarship on the history of art and its institutions, Material Inspirations places cultural developments such as the emergence of new sites for exhibition and the astonishing proliferation of printed reproductions alongside a wide range of texts including novels, poems, travel guidebooks, compendia of antiquities, and especially the great line of critical writing that emerged in the period. The study aims to vivify a dynamic era, too often seen as static and unchanging, by emphasizing the transformations taking place throughout the period in precisely those areas that have appeared to promise little more than repetition or continuity: collection, exhibition, and reproduction. The book culminates with the two great critics of the period, John Ruskin and Walter Pater, but it also includes close analysis of other prose writers, as well as poets and novelists ranging from William Blake to Robert Browning, George Eliot to Henry James. Significant developments addressed include the vogue for the representation of Old Masters in the first half of the century, ongoing innovations in the creation and diffusion of reproductions, and the emergence of the field of art history itself. At the heart of each of these the book identifies a material pressure shaping concepts, texts, and works of art"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Material culturex| Historyy| 19th century.=| ^A163391;

655 0 a| Electronic books.=| ^A491897;

710 2 a| Oxford University Press.=| ^A636469;

856 40 z| Full text available from Oxford Scholarship Onlineu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Facademic.oup.com%2Fbook%2F33541;

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596 a| 1 3 4;

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Material inspirations the interests of the art object in the nineteenth century and after / Jonah Siegel.

Author/creator	Siegel, Jonah, 1963-
Other author	Oxford University Press.
Format	Electronic
Publication Info	New York, NY : Oxford University Press, 2020.
Description	xxviii, 373 pages : illustrations ; 24 cm
Supplemental Content	Full text available from Oxford Scholarship Online
Subjects	Material culture--History. --19th century.

Abstract	"This book is a study of the relationship between matter and idea that shaped the nineteenth-century culture of art, and that in turn determined the course of still-current accounts of art's nature and value. Drawing on recent scholarship on the history of art and its institutions, Material Inspirations places cultural developments such as the emergence of new sites for exhibition and the astonishing proliferation of printed reproductions alongside a wide range of texts including novels, poems, travel guidebooks, compendia of antiquities, and especially the great line of critical writing that emerged in the period. The study aims to vivify a dynamic era, too often seen as static and unchanging, by emphasizing the transformations taking place throughout the period in precisely those areas that have appeared to promise little more than repetition or continuity: collection, exhibition, and reproduction. The book culminates with the two great critics of the period, John Ruskin and Walter Pater, but it also includes close analysis of other prose writers, as well as poets and novelists ranging from William Blake to Robert Browning, George Eliot to Henry James. Significant developments addressed include the vogue for the representation of Old Masters in the first half of the century, ongoing innovations in the creation and diffusion of reproductions, and the emergence of the field of art history itself. At the heart of each of these the book identifies a material pressure shaping concepts, texts, and works of art"-- Provided by publisher.
General note	Minimal Level Cataloging Plus.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2020940108
ISBN	9780198858003 (hardback)

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Material inspirations the interests of the art object in the nineteenth century and after / Jonah Siegel.

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