Freedom girls voicing femininity in 1960s British pop / Alexandra M. Apolloni.

Author/creator Apolloni, Alexandra M.
Other author Oxford University Press.
Format Electronic
Publication InfoNew York : Oxford University Press, [2021]
Descriptionix, 323 pages : illustrations ; 24 cm
Supplemental ContentFull text available from Oxford Scholarship Online
Subjects

Contents Introduction. Vocal Manners for Moderns -- Part I. Ordinary, Extraordinary Voices. Chart Chicks and Gear Girls : The Limits of Mod Femininity ; "A girl in a million, just like a million" : Sandie Shaw and Ordinary Girlhood ; Sounding Like Liverpool : Region, Memory, and Cilla Black's Accent -- Part II. Transatlantic Voices. England meets Jamaica's Lollipop Girl : Millie Small, Voice, and Migration ; Race, Self-Invention, and Dusty Springfield's Voice -- Part III. Sex, Voice, and Rock and Roll. The Last Remaining Virgin in London : Lulu, Whiteness, and Youth ; Sex, Freedom, and Marianne Faithfull's Voice in the Afterlight of the 1960s ; Remembering Rock and Roll with P.P. Arnold -- Epilogue.
Abstract "This introduction positions the history of girl and young women singers in the 1960s in the context of broader histories of vocal training; ideas about voice, respectability, and expressivity; and the models of youthful femininity that were emergent in 1960s Britain. It connects this study to the emerging field of Voice Studies and provide an overview of the book's chapters"-- Provided by publisher.
Bibliography noteIncludes bibliographical references and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2021028912
ISBN9780190879907 (paperback)
ISBN9780190879891 (hardback)
ISBN(epub)

Availability

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Electronic Resources Access Content Online ✔ Available