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010 a| 2021027797;

020 a| 9780190090739q| (hardback);

020 z| 9780190090753q| (epub);

035 a| (WaSeSS)ssj0002516731;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| ML429.T86b| W55 2021;

082 00 a| 782.1/40922| 23;

100 1 a| Winkler, Kevin.=| ^A1411444;

245 10 a| Everything is choreographyh| [electronic resource] :b| the musical theater of Tommy Tune /c| Kevin Winkler.;

260 a| New York :b| Oxford University Press,c| 2021.;

300 a| xiii, 282 pages :b| illustrations ;c| 25 cm.;

490 0 a| Broadway legacies;

504 a| Includes bibliographical references and index.;

505 0 a| Broadway Baby -- Gents and Working Girls -- Double Feature -- City of Women -- A Gershwin Tune -- A Great Place to Make a Show -- The Broadway Melody of -- Song and Dance Man -- Everything is Still Choreography.;

506 a| Available only to authorized users.;

520 a| "Everything is Choreography: The Musical Theater of Tommy Tune is the first full-scale analysis of the work of Tommy Tune, and his place in a lineage of Broadway's great director-choreographers. The decade of the 1980s was considered a low point for the American musical. Tune's predecessors in the art of complete musical staging like Jerome Robbins, Bob Fosse, Gower Champion, and Michael Bennett were either dead or withdrawn from the Broadway arena. Yet it was the period of Tune's greatest success. The book examines how he adapted to an increasingly corporatized, high-stakes producing and funding environment. It considers how Tune kept the American musical a thriving, creative enterprise at a time when Broadway was dominated by British imports. It investigates Tune's work of the last twenty-five years, when he shifted his attentions to touring and regional productions, far from the glare of Broadway. Unlike his fellow director-choreographers, Tune also maintained a successful performing career, and the book details the deft balancing act that kept him working as a popular singer-dancer-actor while directing a series of striking and influential Broadway musicals"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

600 10 a| Tune, Tommyx| Criticism and interpretation.=| ^A397631;

650 10 a| Musical theater producers and directorsz| United States.=| ^A913991;

650 10 a| Choreographersz| United States.=| ^A1280981;

650 0 a| Musicalsz| United Statesx| History and criticism.=| ^A234771;

655 0 a| Electronic books.=| ^A491897;

710 2 a| Oxford University Press.=| ^A636469;

856 40 z| Full text available from Oxford Scholarship Onlineu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Facademic.oup.com%2Fbook%2F41168;

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Everything is choreography the musical theater of Tommy Tune / Kevin Winkler.

Author/creator	Winkler, Kevin
Other author	Oxford University Press.
Format	Electronic
Publication Info	New York : Oxford University Press, 2021.
Description	xiii, 282 pages : illustrations ; 25 cm.
Supplemental Content	Full text available from Oxford Scholarship Online
Subjects	Tune, Tommy--Criticism and interpretation. Musical theater producers and directors--United States. Choreographers--United States. Musicals--New York (State). --New York. --History and criticism. Musicals--United States. --History and criticism.

Series	Broadway legacies
Contents	Broadway Baby -- Gents and Working Girls -- Double Feature -- City of Women -- A Gershwin Tune -- A Great Place to Make a Show -- The Broadway Melody of -- Song and Dance Man -- Everything is Still Choreography.
Abstract	"Everything is Choreography: The Musical Theater of Tommy Tune is the first full-scale analysis of the work of Tommy Tune, and his place in a lineage of Broadway's great director-choreographers. The decade of the 1980s was considered a low point for the American musical. Tune's predecessors in the art of complete musical staging like Jerome Robbins, Bob Fosse, Gower Champion, and Michael Bennett were either dead or withdrawn from the Broadway arena. Yet it was the period of Tune's greatest success. The book examines how he adapted to an increasingly corporatized, high-stakes producing and funding environment. It considers how Tune kept the American musical a thriving, creative enterprise at a time when Broadway was dominated by British imports. It investigates Tune's work of the last twenty-five years, when he shifted his attentions to touring and regional productions, far from the glare of Broadway. Unlike his fellow director-choreographers, Tune also maintained a successful performing career, and the book details the deft balancing act that kept him working as a popular singer-dancer-actor while directing a series of striking and influential Broadway musicals"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2021027797
ISBN	9780190090739 (hardback)
ISBN	(epub)

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Everything is choreography the musical theater of Tommy Tune / Kevin Winkler.

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