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001 ocm44728099;

003 OCoLC;

005 20220126081308.0;

008 000727t20162000enka b 001 0 eng ;

010 a| 00061798;

019 a| 45407474a| 775019314a| 1225737051;

020 a| 0860788237;

020 a| 9780860788232;

035 a| (Sirsi) o44728099;

035 a| (OCoLC)44728099z| (OCoLC)45407474z| (OCoLC)775019314z| (OCoLC)1225737051;

043 a| e-it---;

049 a| EREM;

050 04 a| ML290.2.C23b| M6 2016;

082 00 a| 780/.945/090322| 21;

083 0 a| 780.92;

100 1 a| Carter, Tim,d| 1954-=| ^A669688;

245 10 a| Monteverdi and his contemporaries /c| Tim Carter.;

260 a| London :b| Routledge,c| 2016.;

300 a| xii, 256 pages :b| illustrations ;c| 23 cm.;

336 a| textb| txt2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

490 1 a| Variorum collected study series ;v| C690;

500 a| Reprinted edition of 2000 Ashgate edition.;

504 a| Includes bibliographical references and index.;

505 00 t| Music publishing in Italy, c. 1580-c. 1625: Some preliminary observations --t| On the composition and performance of Caccini's Le nuove musiche (1602) --t| Caccini's Amarilli, mia bella: Some questions (and a few answers) --t| New songs for old? Guarini and the Monody --g| An air new and grateful to the ear:t| The concept of aria in late Renaissance and early Baroque Italy --t| Artusi, Monteverdi, and the poetics of modern music --t| 'Sfogava con le stelle' reconsidered: Some thoughts on the analysis of Monteverdi's Mantuan Madrigals --g| Resemblance and representation:t| Towards a new aesthetic in the music of Monteverdi --t| Possente spirto: On taming the power of music --t| Intriguing laments: Sigismondo d'India, Claudio Monteverdi, and Dido alla parmigiana (1628).;

520 a| This collection of reprinted essays takes the trends of the author's Music, Patronage and Printing in Late Renaissance Florence (also in the 'Variorum' series) in a somewhat different direction. If the focus there was primarily on archival documents, here it is on the actual music. The starting-point is similar--the rise of the 'new music' for solo voice and basso continuo in late sixteenth- and early seventeenth-century Florence, in particular the songs of Giulio Caccini. But it moves on to broader aesthetic issues crystallized in contemporary theoretical debate and musical practice--not least the rise of aria-based styles--and concludes with a series of studies of Claudio Monteverdi's works for the theatre, including the operas Il ritorno d'Ulisse in patria (1640) and the ever-problematic L'incoronazione di Poppea (1643).;

600 10 a| Monteverdi, Claudio,d| 1567-1643x| Criticism and interpretation.=| ^A22178;

830 0 a| Collected studies ;v| CS690.=| ^A355371;

994 a| C0b| ERE;

596 a| 3;

998 a| 5720386;

999 a| ML290.2.C23 M6 2016w| LCc| 1i| 30372017177970d| 4/28/2026e| 3/17/2026f| 2/25/2024g| 1l| MSTm| JMUSICn| 3r| Ys| Yt| MGESBKu| 11/12/2021x| BOOKz| MCIRCo| .STAFF. jjam;

Monteverdi and his contemporaries / Tim Carter.

Author/creator	Carter, Tim, 1954-
Format	Book
Publication Info	London : Routledge, 2016.
Description	xii, 256 pages : illustrations ; 23 cm.
Subjects	Monteverdi, Claudio, 1567-1643--Criticism and interpretation. Music--Italy. --16th century. --History and criticism. Music--Italy. --17th century. --History and criticism.

Series	Variorum collected study series ; C690 Collected studies ; CS690. ^A355371
Contents	Music publishing in Italy, c. 1580-c. 1625: Some preliminary observations -- On the composition and performance of Caccini's Le nuove musiche (1602) -- Caccini's Amarilli, mia bella: Some questions (and a few answers) -- New songs for old? Guarini and the Monody -- An air new and grateful to the ear: The concept of aria in late Renaissance and early Baroque Italy -- Artusi, Monteverdi, and the poetics of modern music -- 'Sfogava con le stelle' reconsidered: Some thoughts on the analysis of Monteverdi's Mantuan Madrigals -- Resemblance and representation: Towards a new aesthetic in the music of Monteverdi -- Possente spirto: On taming the power of music -- Intriguing laments: Sigismondo d'India, Claudio Monteverdi, and Dido alla parmigiana (1628).
Abstract	This collection of reprinted essays takes the trends of the author's Music, Patronage and Printing in Late Renaissance Florence (also in the 'Variorum' series) in a somewhat different direction. If the focus there was primarily on archival documents, here it is on the actual music. The starting-point is similar--the rise of the 'new music' for solo voice and basso continuo in late sixteenth- and early seventeenth-century Florence, in particular the songs of Giulio Caccini. But it moves on to broader aesthetic issues crystallized in contemporary theoretical debate and musical practice--not least the rise of aria-based styles--and concludes with a series of studies of Claudio Monteverdi's works for the theatre, including the operas Il ritorno d'Ulisse in patria (1640) and the ever-problematic L'incoronazione di Poppea (1643).
General note	Reprinted edition of 2000 Ashgate edition.
Bibliography note	Includes bibliographical references and index.
LCCN	00061798
ISBN	0860788237
ISBN	9780860788232

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Music	Music Stacks	ML290.2.C23 M6 2016	✔ Available	Place Hold

Monteverdi and his contemporaries / Tim Carter.

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