Settling Scores German Music, Denazification, and the Americans, 1945-1953

Author/creator Monod, David, 1960- Author
Format Electronic
Publication InfoChapel Hill : University of North Carolina Press
Description320 p. ill 09.500 x 06.380 in.
Supplemental ContentFull text available from eBooks on EBSCOhost
Subjects

Summary Annotation Classical music was central to German national identity in the early twentieth century. The preeminence of composers such as Bach and Beethoven and artists such as conductor Wilhelm Furtw&curren;ngler and pianist Walter Gieseking was cited by the Nazis as justification for German expansionism and as evidence of Aryan superiority. In the minds of many Americans, further German aggression could be prevented only if the population's faith in its moral and cultural superiority was shattered. In<i>Settling Scores</i>, David Monod examines the attempted "denazification" of the German music world by the Music Control Branch of the Information Control Division of Military Government.<p>The occupying American forces barred from the stage and concert hall all former Nazi Party members and even anyone deemed to display an "authoritarian personality." They also imported new European and American music. These actions, however, divided American officials and outraged German audiences and performers. Nonetheless, Monod argues, the long-term effects were greater than has been previously recognized, as German government officials regained local control and voluntarily limited their involvement in artistic life while promoting "new" (anti-Nazi) music.</p>
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2004029685
ISBN9780807829448
ISBN0807829447 (Trade Cloth) Active Record
Standard identifier# 9780807829448
Stock number00027332

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