Berlioz : Roméo et Juliette / Julian Rushton.

Author/creator Rushton, Julian
Format Book
Publication InfoCambridge [England] ; New York : Cambridge University Press, 1994.
Descriptionx, 119 pages : tables, music ; 23 cm
Subjects

SeriesCambridge music handbooks
Cambridge music handbooks. ^A275900
Contents The genesis of Romeo et Juliette -- Berlioz, Shakespeare, and Garrick -- Exordium: introduction and prologue; Romeo seul -- The heart of the matter: Scene d'amour; La reine Mab -- Tragedy and reconciliation: Convoi funebre; Romeo au tombeau; Finale -- A view from 1839 / Stephen Heller -- Performance and reception: 1839 and beyond -- Afterword. Romeo et Juliette as covert opera -- Appendix I. Berlioz's preface -- Berlioz's note on Romeo au tombeau des Capulets -- Berlioz's observations on performance -- Berlioz on the "genre instrumental expressif" -- Appendix 2. Texts of: prologue, finale, the discarded second prologue.
Abstract Berlioz's 'dramatic symphony' Roméo et Juliette is regarded by many as his finest work; it is certainly among the most original. It is played less often than his earlier symphonies, because it requires solo voices and chorus; yet at its heart is some of the most inspired orchestral music of the nineteenth century. This book summarises the complex genesis of the work before examining the music closely and always with a view to understanding its dramatic implications. The early and later critical reception is quoted and discussed and the author concludes by suggesting a way of hearing the work which recognises the value of its mixed genre. The complete libretto is provided in both English and French.
Local noteLittle-319736--305131029329
Bibliography noteIncludes bibliographical references (pages 115-117) and index.
LCCN 93032505
ISBN0521373972 (hc)
ISBN0521377676 (pb)

Availability

Library Location Call Number Status Item Actions
Music Music Stacks ML410.B5 R85 1994 ✔ Available Place Hold