The Encoded Cirebon Mask Materiality, Flow, and Meaning along Java's Islamic Northwest Coast / by Laurie Margot Ross.

Author/creator Ross, Laurie Margot
Format Electronic
Publication InfoLeiden : Brill, [2016]
Descriptionxvi, 374 pages : illustrations (some color) ; 25 cm.
Supplemental ContentFull text available from Ebook Central - Academic Complete
Subjects

SeriesStudies on performing arts & literature of the Islamicate world, 2214-6563 ; volume 2
Contents The pasisir in the age of steam, sail, and the railway -- Independence : registration cards, theme parks, and topeng tours -- Floating artists on the circumambulatory road -- Tuning the body : dzikir flows and sonic theism -- Engaging the body and the senses -- Looking closely : the iconic mask -- Looking closer : the inner face -- Mapping tarekat : performing the mosque/grave complex.
Abstract "Situates masks and masked dancing in the Cirebon region of Java (Indonesia) as an original expression of Islam. This is a different view from that of many scholars, who argue that canonical prohibitions on fashioning idols and imagery prove that masks are mere relics of indigenous beliefs that Muslim travelers could not eradicate. Making use of archives, oral histories, and the performing objects themselves, Ross traces the mask's trajectory from a popular entertainment in Cirebon--once a portal of global exchange--to a stimulus for establishing a deeper connection to God in late colonial Java, and eventual links to nationalism in post-independence Indonesia"-- Provided by publisher.
Bibliography noteIncludes bibliographical references (pages 305-337) and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2016031343
ISBN9789004311374 (hardback : alk. paper)
ISBN(e-book)

Availability

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