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Canons and canonic techniques, 14th-16th centuries : theory, practice, and reception history ; proceedings of the International Conference, Leuven, 4-6 October 2005 / edited by Katelijne Schiltz and Bonnie J. Blackburn.

Other author/creatorSchiltz, Katelijne, 1974- editor.
Other author/creatorBlackburn, Bonnie J., editor, contributor.
Format Book and Print
Publication Info Leuven ; Dudley, Mass. : Peeters, 2007.
Descriptionxxviii, 498 pages : illustrations (some color), music ; 26 cm.
Subject(s)
Series Analysis in context : Leuven studies in musicology ; v. 1
Analysis in context ; v. 1. ^A1128966
Contents The early canon as Imitatio naturae / Oliver Huck -- Mensural virtuosity in non-fugal canons c. 1350 to 1450 / Virginia Newes -- The canons of the Old Hall Manuscript : music and the structuring of national representation / Oliver Vogel -- Canons, palindromes musicaux et textes poétiques dans les chansons de l'Ars nova / Gilles Dulong -- The mirror of the text : reflections in Ma fin est mon commencement / Michael Eisenberg -- Henrich Isaac, Ludwig Senfl, and a fugal hexachord / Adam Knight Gilbert -- Canonic technique in a L'homme armé mass by Pierre de la Rue (?) / Eric Rice -- Constructing a canonic pitch spiral : the case of Salve radix / Theodor Dumitrescu -- The persistence of exact canon throughtout the sixteenth century / Peter Urquhart -- Resonances of Josquin in later Inviolata settings / Stephen Rice -- Canon and cantus firmus for the edification of the laity in early Lutheran music / Mattias Olof Lundberg -- Verborgene Botschaften? Augsburger Kanons von 1548 / Thomas Röder -- 'Sursum deorsum aguntur res mortalium' : canons in Magnificat settings of the fifteenth and sixteenth centuries and the case of Mattheus Le Maistre's Magnificat sexti toni / Stefan Gasch -- Cantus firmus und Kanon : Anmerkungen zu Ludwig Dasers Missa Pater noster / Bernhold Schmid -- Two treasure chests of canonic antiquities : the collections of Hermann Finck and Lodovico Zacconi / Bonnie J. Blackburn -- A dying art : canonic inscriptions and canonic techniques in the sixteenth-century papal chapel repertory / Thomas Schmidt-Beste -- 'Sapienti pauca' : the Canones et echo sex vocibus ... eiusdem dialogi (1572) of Don Lodovico Agostini / Laurie Stras -- Tallis's Service 'of five parts two in one' re-evaluated / Andrew Johnstone -- 'Sufficient to quench the thirst of the most insaciate scholler whatsoeuer' : George Waterhouse's 1,163 canons on the plainsong Miserere / Denis Collins -- On the discrepant role of canonic techniques as reflected in enlightened writings about music / Oliver Wiener -- Survivance du canon énigmatique au début du XIXe siècle : le cas de Sigismund Neukomm / Luciane Beduschi -- Steve Reich's Proverb, canon, and a little Wittgenstein / Ronald Woodley.
Abstract Although canons pervade music of the Middle Ages and the Renaissance, they have not received proportionate attention in the musicological literature. The contributions in this book shed light on canons and canonic techniques from a wide range of perspectives, such as music theory and analysis, compositional and performance practice, palaeography and notation, as well as listening expectations and strategies. The essays extend from the early period of canonic writing to the seventeenth century, ending with three contributions concerned with the reception history of medieval and Renaissance canons in music and writings on music from the Age of Enlightenment to the present.
General noteInternational conference proceedings.
General noteIncludes indexes.
Genre/formConference papers and proceedings.
LCCN 2007281574
ISBN9789042916814 (hd. bd.)
ISBN9042916818 (hd. bd.)

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