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001 ocn865468490;

003 OCoLC;

005 20210129095608.0;

008 140521t20142014enkag b 001 0 eng d;

010 a| 2014563737;

019 a| 854612024a| 875133774a| 892076626;

020 a| 9781843838937;

020 a| 1843838931;

035 a| (Sirsi) o865468490;

035 a| (OCoLC)865468490z| (OCoLC)854612024z| (OCoLC)875133774z| (OCoLC)892076626;

043 a| e------;

049 a| EREM;

050 00 a| ML1263b| .M383 2014;

082 00 a| 784.2/5090332| 23;

100 1 a| Maunder, C. R. F.=| ^A162754;

245 14 a| The scoring of early classical concertos, 1750-1780 /c| Richard Maunder.;

264 1 a| Woodbridge, Suffolk UK :b| Boydell Press,c| 2014.;

300 a| 300 pages :b| illustrations, music ;c| 24 cm;

336 a| textb| txt2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

504 a| Includes bibliographical references (pages 283-287) and indexes.;

520 a| This is the sequel to Richard Maunder's 'The scoring of Baroque concertos' (Boydell, 2004), now covering the period 1750-80, a time when the concerto was evolving from the baroque version, typically played one-to-a part, towards the later, more 'orchestral' style - though even in 1780 an ensemble with more than pairs of string players would have been unusual. The book is organized on geographical lines, and there is a detailed discussion of the music itself and of the original parts as evidence of the performance practice of the period. Far more concertos are being written than in the Baroque period, and they are becoming longer and more richly scored. 1780 marks something of a watershed: it is within a year or two of the deaths of such composers as Arne, J.C. Bach, Holzbauer, Myslivecek, G.B. Sammartini and Wagenseil, and also roughly coincides with the demise of the Mannheim court orchestra and its re-establishment in Munich, Mozart's move from Salzburg to Vienna, and the start of what might be called the 'fortepiano era' in the city.;

505 0 a| Introduction -- Northern and Central Germany -- Italy -- Vienna -- Salzburg -- The South German Courts -- Paris -- England.;

650 0 a| Concertoy| 18th century.=| ^A605002;

650 0 a| Composition (Music)x| Historyy| 18th century.=| ^A17648;

650 0 a| Musical analysisx| Historyy| 18th century.=| ^A113364;

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994 a| C0b| ERE;

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The scoring of early classical concertos, 1750-1780 / Richard Maunder.

Author/creator	Maunder, C. R. F.
Format	Book
Publication	Woodbridge, Suffolk UK : Boydell Press, 2014.
Copyright Date	©2014
Description	300 pages : illustrations, music ; 24 cm
Subjects	Concerto--18th century. Orchestral music--Europe. --18th century. --History and criticism. Composition (Music)--History. --18th century. Musical analysis--History. --18th century.

Contents	Introduction -- Northern and Central Germany -- Italy -- Vienna -- Salzburg -- The South German Courts -- Paris -- England.
Abstract	This is the sequel to Richard Maunder's 'The scoring of Baroque concertos' (Boydell, 2004), now covering the period 1750-80, a time when the concerto was evolving from the baroque version, typically played one-to-a part, towards the later, more 'orchestral' style - though even in 1780 an ensemble with more than pairs of string players would have been unusual. The book is organized on geographical lines, and there is a detailed discussion of the music itself and of the original parts as evidence of the performance practice of the period. Far more concertos are being written than in the Baroque period, and they are becoming longer and more richly scored. 1780 marks something of a watershed: it is within a year or two of the deaths of such composers as Arne, J.C. Bach, Holzbauer, Myslivecek, G.B. Sammartini and Wagenseil, and also roughly coincides with the demise of the Mannheim court orchestra and its re-establishment in Munich, Mozart's move from Salzburg to Vienna, and the start of what might be called the 'fortepiano era' in the city.
Bibliography note	Includes bibliographical references (pages 283-287) and indexes.
LCCN	2014563737
ISBN	9781843838937
ISBN	1843838931

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML1263 .M383 2014	✔ Available	Place Hold

The scoring of early classical concertos, 1750-1780 / Richard Maunder.

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