| Contents |
McPeek, G. S. Medieval monophonic song: Kalenda Maia by Raimbault de Vagueiras.--Tischler, H. A comparison of two manuscripts: Fole acoustumance.--White, J. R. Lyonel Power's Sanctus.--Reese, G. An editorial problem in a mass by Heinrich Isaac.--Warburton, T. A German organ tablature: Dies est laetitiae.--Watkins, G. E. A madrigal in four voices: La mia doglia s'avanza (1613) by Pomponio Nenna.--Cohen, A. A study of notational and performance problems of an early air de cour: Je voudrois bien, ô Cloris (1629) by Antoine Boësset.--Clark, J. B. Some problems of transcribing music with many sources: the verse anthem O praise God in his holiness by Edward Smith.--Warner, R. A. English consort music: Fancy and ayre in G minor (c. 1660) by John Jenkins.--Hitchcock, H. W. Some aspects of notation in an Alma Redemptoris Mater (c. 1670) by Marc-Antoine Charpentier.--Harris, C. D. Problems in editing harpsichord music: Suite in D by Ferdinand Tobias Richter.--Reilly, E. R. A realization by J. C. Heck: an Affettuoso di molto by Johann Joachim Quantz.--Kollen, J. L. Robert Alexander Schumann: Tema, op. 13.--Borroff, E. Spelling and intention: A setting of William Alexander Percy's lyric A sea-bird (1933) by Irwin Fischer.--Finney, R. L. Concerning my Fantasy in two movements.--Borroff, E. A new notation: Soliloquies for violin and piano (1971) by Paul Cooper. |
