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010 a| 2018006090;

020 a| 9780199371075q| hardcover ;q| alkaline paper;

020 a| 9780199371082q| paperback ;q| alkaline paper;

035 a| (WaSeSS)ssj0002073142;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| ML2075b| .B844 2019;

082 00 a| 781.5/42012| 23;

100 1 a| Buhler, James,d| 1964-=| ^A463100;

245 10 a| Theories of the soundtrackh| [electronic resource] /c| James Buhler.;

260 a| New York, NY :b| Oxford University Press,c| 2019.;

300 a| xiv, 318 pages ;c| 24 cm.;

490 1 a| The Oxford music / media series;

504 a| Includes bibliographical references (pages 291-308) and index.;

505 0 a| Introduction -- Early theories of the sound film -- Theories of the classical sound film : grammars and typologies -- Language, semiotics, and Deleuze -- Neoformalism and four models of the soundtrack -- Narratology and the soundtrack -- Critical theory and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Theories of the digital soundtrack.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 0 a| Motion picture musicx| History and criticism.=| ^A20620;

650 0 a| Film soundtracksx| History and criticism.=| ^A469055;

650 0 a| Motion picture musicx| Philosophy and aesthetics.=| ^A1181194;

655 0 a| Electronic books.=| ^A491897;

710 2 a| Oxford University Press.=| ^A636469;

830 0 a| Oxford music/media series.=| ^A1256002;

856 40 z| Full text available from Oxford Scholarship Onlineu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Facademic.oup.com%2Fbook%2F11277;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 5521041;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5521041-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 10/18/2020x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5521041-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 10/18/2020x| EBOOKz| JERESOURCE;

Theories of the soundtrack / James Buhler.

Author/creator	Buhler, James, 1964-
Other author	Oxford University Press.
Format	Electronic
Publication Info	New York, NY : Oxford University Press, 2019.
Description	xiv, 318 pages ; 24 cm.
Supplemental Content	Full text available from Oxford Scholarship Online
Subjects	Motion picture music--History and criticism. Film soundtracks--History and criticism. Motion picture music--Philosophy and aesthetics.

Series	The Oxford music / media series Oxford music/media series. ^A1256002
Contents	Introduction -- Early theories of the sound film -- Theories of the classical sound film : grammars and typologies -- Language, semiotics, and Deleuze -- Neoformalism and four models of the soundtrack -- Narratology and the soundtrack -- Critical theory and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Theories of the digital soundtrack.
Bibliography note	Includes bibliographical references (pages 291-308) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2018006090
ISBN	9780199371075 hardcover ; alkaline paper
ISBN	9780199371082 paperback ; alkaline paper

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Theories of the soundtrack / James Buhler.

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