| Series |
Oxford studies in music theory
Oxford studies in music theory. ^A696826
|
| Contents |
Part I. Interpreting Mahler's sonata forms. Sonata form in Mahler's narrative imagination ; Adorno's "Novel-Symphony": the dialectic of freedom and determinism ; Dimensions of Mahlerian narrativity -- Part II. Mahler's "Classical" sonatas. "A demonic Haydn": Mahler's confrontation with tradition in the first movement of the sixth ; A play within a play: games of closure and contingency in the first movement of the Fourth -- Part III. Mahler's "Epic" sonatas. The objectification of chaos: epic form and narrative multiplicity in part one of the Third ; Tragedy refuses a nominalist form: "Inescapable" coherence and the failure of the Novel-Symphony in the finale of the Sixth. |
| General note | Includes companion website with annotated short scores and larger diagrams and figures. |
| Bibliography note | Includes bibliographical references (pages 263-271) and index (pages 273-278). |
| Access restriction | Available only to authorized users. |
| Technical details | Mode of access: World Wide Web |
| Genre/form | Electronic books. |
| LCCN | 2014003319 |
| ISBN | 9780199303465 (hardback : alk. paper) |
| ISBN | 0199303460 (hardback : alk. paper) |
