Tools

LEADER 03542cam a2200517 i 4500

001 ssj0002282234;

003 WaSeSS;

005 20250212121027.0;

006 m d ;

007 cr n ;

008 191015s2020 nyuab sb 001 0 eng d;

010 a| 2019047291;

020 a| 9780190687410q| (paperback);

020 a| 9780190687403q| (hardback);

020 z| 9780190687434q| (epub);

020 z| 9780197510483;

035 a| (WaSeSS)ssj0002282234;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| ML3917.L27b| P35 2020;

082 00 a| 780.982| 23;

100 1 a| Palomino, Pablo.?| UNAUTHORIZED;

245 14 a| The invention of Latin American musich| [electronic resource] :b| a transnational history /c| Pablo Palomino.;

260 a| New York :b| Oxford University Press,c| 2020.;

300 a| xi, 260 pages :b| illustrations, maps ;c| 25 cm.;

490 0 a| Currents in Latin American and Iberian music;

504 a| Includes bibliographical references and index.;

505 0 a| Introduction. Music is Latin American history -- A continental patchwork -- Transnational networks -- State musical populisms -- The transnational formation of Latin American musicology -- Latin/Pan American music -- Music and regionalism since the 1950s -- Epilogue. A century of Latin American Music.;

506 a| Available only to authorized users.;

520 a| "This book reconstructs the transnational history of the category "Latin American music" during the first half of the 20th century, from a longer perspective that begins in the 19th century and extends the narrative until the present. It analyzes intellectual, commercial, state, musicological and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s. It studies multiple music-related actors, such as intellectuals, musicologists, policy-makers, popular artists, radio operators, and diplomats in Argentina, Mexico, Brazil, the United States, and different parts of Europe. It proposes a regionalist approach to Latin American and global history, by showing individual nations as both agents and result of transnational forces-imperial, economic, and ideological. It argues that Latin America is the sedimentation of over two centuries of regionalist projects, and studies the place of music regionalism in that history"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Regionalismz| Latin America.=| ^A1241974;

655 0 a| Electronic books.=| ^A491897;

710 2 a| Oxford University Press.=| ^A636469;

856 40 z| Full text available from Oxford Scholarship Onlineu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Facademic.oup.com%2Fbook%2F36833;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 5510585;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5510585-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 10/17/2020x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5510585-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 10/17/2020x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5510585-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 10/17/2020x| EBOOKz| JERESOURCE;

The invention of Latin American music a transnational history / Pablo Palomino.

Author/creator	Palomino, Pablo
Other author	Oxford University Press.
Format	Electronic
Publication Info	New York : Oxford University Press, 2020.
Description	xi, 260 pages : illustrations, maps ; 25 cm.
Supplemental Content	Full text available from Oxford Scholarship Online
Subjects	Music--Social aspects. --Latin America. --History. --20th century. Music--Political aspects. --Latin America. --History. --20th century. Regionalism--Latin America.

Series	Currents in Latin American and Iberian music
Contents	Introduction. Music is Latin American history -- A continental patchwork -- Transnational networks -- State musical populisms -- The transnational formation of Latin American musicology -- Latin/Pan American music -- Music and regionalism since the 1950s -- Epilogue. A century of Latin American Music.
Abstract	"This book reconstructs the transnational history of the category "Latin American music" during the first half of the 20th century, from a longer perspective that begins in the 19th century and extends the narrative until the present. It analyzes intellectual, commercial, state, musicological and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s. It studies multiple music-related actors, such as intellectuals, musicologists, policy-makers, popular artists, radio operators, and diplomats in Argentina, Mexico, Brazil, the United States, and different parts of Europe. It proposes a regionalist approach to Latin American and global history, by showing individual nations as both agents and result of transnational forces-imperial, economic, and ideological. It argues that Latin America is the sedimentation of over two centuries of regionalist projects, and studies the place of music regionalism in that history"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2019047291
ISBN	9780190687410 (paperback)
ISBN	9780190687403 (hardback)
ISBN	(epub)

Availability

Library	Location	Call Number	Status	Item Actions
	Electronic Resources	Access Content Online	✔ Available

The invention of Latin American music a transnational history / Pablo Palomino.

Click here for more information about this title

Availability