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010 a| 2012033137;

020 a| 9781405195829 (hardback : alk. paper);

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082 00 a| 791.4302/330922| 23;

245 02 a| A companion to Pedro Almodóvarh| [electronic resource] /c| edited by Marvin D'Lugo and Kathleen M. Vernon.;

260 a| Malden, MA :b| John Wiley & Sons,;

300 a| xvi, 568 p. :b| ill. ;c| 26 cm.;

490 0 a| Wiley-Blackwell companions to film directors;

504 a| Includes bibliographical references and index.;

505 0 a| Introduction / Marvin D'Lugo and Kathleen M. Vernon -- Bio-Filmography. Paul Julian Smith Almodóvar's self-fashioning: the economics and aesthetics of deconstructive biography -- Francisco A. Zurián: Creative Beginnings in Almodóvar's Work -- Dona Kercher: Almodóvar and Hitchcock: a sorcerer's apprenticeship -- Alberto Mira: A life, imagined and otherwise: the limits and uses of autobiography in Almodóvar's films -- Spanish Contexts. Marina Diaz López: El Deseo's Itinerary: Almodóvar and the Spanish film industry -- Josetxo Cerdán: Almodóvar and Spanish patterns of film reception and Miguel Fernandez -- Juan Carlos Ibanez: Memory, politics and the post-transition in Almodóvar's cinema -- Adrissn Pérez Melgosa: The ethics of oblivion: personal, national, and cultural memories in the films of Pedro Almodóvar -- At the limits of gender. Leora Lev: Our rapists ourselves: Women and the staging of rape in the cinema of Pedro Almodóvar -- Dean Albritton: Paternity & pathogens: mourning men and the crises of masculinity in Almodóvar -- Noelia Saenz: Domesticating violence in the films of Pedro Almodóvar -- Francisco A. Zurián: La piel que habito: a story of imposed gender and the struggle for identity -- Re-readings. Marsha Kinder: reenvoicements and reverberations in Almodóvar's macro-melodrama -- Celestino Deleyto: The flower of his secret: Carne trémula and the Mise en scene of Desire -- Julian Daniel Gutiérrez-Albila: Scratching the past on the "surface" of the "skin": embodied inter-subjectivity, prosthetic memory, and witnessing in Almodóvar's La mala educación -- Javier Herrera: Almodóvar's Stolen images -- Global Almodóvar. Isolina Ballesteros: Women on the verge of nervous breakdown: from Madrid (1988) to New York (2010) -- Kathleen M. Vernon: Almodóvar's global musical marketplace -- Marvin D'lugo: Almodóvar and Latin America: The making of a transnational aesthetic in Volver -- Jean-Claude Seguin: Is there a French Almodóvar? -- E K Tan: Almodóvar in Asia: Hong Kong, Taiwan and LGBT film culture -- Art and commerce. John D. Sanderson: To the health of the author: art direction in Los abrazos rotos -- Gerard Dapena: Making Spain fashionable -- Vicente Rodriguez-Ortega: Almodóvar, cyberfandom and participatory culture.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

600 10 a| Almodóvar, Pedrox| Criticism and interpretation.=| ^A408124;

655 0 a| Electronic books.=| ^A491897;

700 1 a| D'Lugo, Marvin.=| ^A275423;

700 1 a| Vernon, Kathleen M.,d| 1951-=| ^A278534;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=1132828;

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A companion to Pedro Almodóvar / edited by Marvin D'Lugo and Kathleen M. Vernon.

Other author	D'Lugo, Marvin.
Other author	Vernon, Kathleen M., 1951-
Format	Electronic
Publication Info	Malden, MA : John Wiley & Sons,
Description	xvi, 568 p. : ill. ; 26 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Almodóvar, Pedro--Criticism and interpretation.

Series	Wiley-Blackwell companions to film directors
Contents	Introduction / Marvin D'Lugo and Kathleen M. Vernon -- Bio-Filmography. Paul Julian Smith Almodóvar's self-fashioning: the economics and aesthetics of deconstructive biography -- Francisco A. Zurián: Creative Beginnings in Almodóvar's Work -- Dona Kercher: Almodóvar and Hitchcock: a sorcerer's apprenticeship -- Alberto Mira: A life, imagined and otherwise: the limits and uses of autobiography in Almodóvar's films -- Spanish Contexts. Marina Diaz López: El Deseo's Itinerary: Almodóvar and the Spanish film industry -- Josetxo Cerdán: Almodóvar and Spanish patterns of film reception and Miguel Fernandez -- Juan Carlos Ibanez: Memory, politics and the post-transition in Almodóvar's cinema -- Adrissn Pérez Melgosa: The ethics of oblivion: personal, national, and cultural memories in the films of Pedro Almodóvar -- At the limits of gender. Leora Lev: Our rapists ourselves: Women and the staging of rape in the cinema of Pedro Almodóvar -- Dean Albritton: Paternity & pathogens: mourning men and the crises of masculinity in Almodóvar -- Noelia Saenz: Domesticating violence in the films of Pedro Almodóvar -- Francisco A. Zurián: La piel que habito: a story of imposed gender and the struggle for identity -- Re-readings. Marsha Kinder: reenvoicements and reverberations in Almodóvar's macro-melodrama -- Celestino Deleyto: The flower of his secret: Carne trémula and the Mise en scene of Desire -- Julian Daniel Gutiérrez-Albila: Scratching the past on the "surface" of the "skin": embodied inter-subjectivity, prosthetic memory, and witnessing in Almodóvar's La mala educación -- Javier Herrera: Almodóvar's Stolen images -- Global Almodóvar. Isolina Ballesteros: Women on the verge of nervous breakdown: from Madrid (1988) to New York (2010) -- Kathleen M. Vernon: Almodóvar's global musical marketplace -- Marvin D'lugo: Almodóvar and Latin America: The making of a transnational aesthetic in Volver -- Jean-Claude Seguin: Is there a French Almodóvar? -- E K Tan: Almodóvar in Asia: Hong Kong, Taiwan and LGBT film culture -- Art and commerce. John D. Sanderson: To the health of the author: art direction in Los abrazos rotos -- Gerard Dapena: Making Spain fashionable -- Vicente Rodriguez-Ortega: Almodóvar, cyberfandom and participatory culture.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2012033137
ISBN	9781405195829 (hardback : alk. paper)

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A companion to Pedro Almodóvar / edited by Marvin D'Lugo and Kathleen M. Vernon.

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