Performing the score / Malcolm Bilson & Elizabeth Field ; produced by Park Productions, Ithaca College ; director & director of photography, Karen Rodriguez ; producer, Carol Jennings.
| Format | Video (Streaming) |
| Publication Info | [Place of publication not identified] : Cornell University Press, 2011. |
| Description | 1 online resource (165 min.). |
| Supplemental Content | https://go.openathens.net/redirector/ecu.edu?url=http://www.aspresolver.com/aspresolver.asp?CLMV;1903607 |
| Subjects |
| Other author/creator | Bezuidenhout, Kristian. |
| Other author/creator | Bilson, Malcolm. |
| Other author/creator | Field, Elizabeth (Elizabeth I.) |
| Other author/creator | Jennings, Carol A. |
| Other author/creator | Kenyon, Nicholas, 1951- |
| Other author/creator | Rodriguez, Karen. |
| Included Work | Mozart, Wolfgang Amadeus, 1756-1791. Sonatas, violin, piano, K. 378, B♭ major. |
| Included Work | Schumann, Robert, 1810-1856. Sonatas, violin, piano, no. 1, op. 105, A minor. |
| Other author/creator | Cornell University. |
| Other author/creator | Park Productions (Ithaca, N.Y.) |
| Contents | Chapters: General introduction -- Early pianos and their music -- The early violin -- Discussion of performance problems in Mozart's Sonata in B Flat, K. 378 -- Discussion of performance of Sonata in A minor, Op. 105 -- Early instrument performances in the context of today's concert and recording world. |
| Abstract | Bilson and Field consider the realization of the aspects of notation that Bilson presented in Knowing the score, especially in regard to work involving more than one instrument. Includes an interview with Sir Nicholas Kenyon, director of the Barbican Center in London, with fortepianist Kristian Bezuidenhout. |
| Other forms | Previously released as DVD. |
| Language | This edition in English. |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Electronic Resources | Access Content Online | ✔ Available |