Included Work | Corelli, Arcangelo, 1653-1713. Trio sonatas, violins (2), continuo, op. 3. No. 12. |
Included Work | Geminiani, Francesco, 1687-1762. Sonatas, violin, continuo, op. 1. No. 2. |
Included Work | Geminiani, Francesco, 1687-1762. Treatise of good taste in the art of musick. Bush aboon Traquair. |
Included Work | Geminiani, Francesco, 1687-1762. Treatise of good taste in the art of musick. Last time I came o'er the moor. |
Included Work | Lonati, Carlo Ambrogio. Sonatas, violin, continuo (1701). No. 7. |
Included Work | Matteis, Nicola, active 1672-1699. Divisions on a ground, violins (3), continuo, D minor. |
Included Work | Veracini, Francesco Maria, 1690-1768. Sonate accademiche. No. 9. |
Included Work | Vivaldi, Antonio, 1678-1741. Trio sonatas, violins (2), continuo, op. 1. No. 8. |
Other author/creator | Bell'arte Antiqua. |
Portion of title |
Vivaldi, Corelli, Geminiani, Lonati, Veracini, Matteis |
Contents |
Trio sonata in D : "Bush aboon Traquair," from the "Treatise of good taste in the art of musick" / Francesco Geminiani (3:42) -- Sonata in G minor / Carlo Ambrigio Lonati (8:44) -- Trio sonata in A, op. 3, no. 12 / Arcangelo Corelli (7:34) -- Trio sonata in D minor, op. 1, no. 2 / Francesco Geminiani (9:21) -- Sonata in A, op. 2, no. 9 / Francesco Maria Veracini (11:03) -- Trio sonata in D minor, op. 1, no. 8, RV64 (10:05) -- Divisions in a ground (La follia) in D minor / Nicola Matteis (4:26) -- Trio sonata in F : "The last time I came o'er the moor," from the "Treatise of good taste in the art of musick" / Francesco Geminiani (4:27). |
General note | 5 trio sonatas for 2 violins and continuo, 2 sonatas for violin and continuo, and a set of variations for violin and continuo. |
General note | Originally issued as a compact disc. |
General note | Program notes by Robin Stowell ([4] p.) inserted in container. |
Performer |
Bell'arte Antiqua (Lucy van Dael, Jacqueline Ross, violins ; William Hunt, viola da gamba ; Terence Charlston, harpsichord). |
Date/time/place of a event note | Recorded in St. Michael's Church, Highgate, London, 14-16 September 1998. |
Genre/form | Sound recordings. |