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010 a| 2011037531;

020 a| 9780415961172 (alk. paper);

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100 1 a| Kurian, Alka,d| 1963-?| UNAUTHORIZED;

245 10 a| Narratives of gendered dissent in South Asian cinemash| [electronic resource] /c| Alka Kurian.;

260 a| New York :b| Routledge,;

300 a| xii, 195 p. :b| ill. ;c| 24 cm.;

490 0 a| Routledge advances in film studies ;v| 12;

504 a| Includes bibliographical references and index.;

505 0 a| Introduction -- Class, caste and social exclusion. Subalterneity and resistance in Shyam Benegal's Nishaant and Manthan -- Radical politics and gender in Govind Nihalani's Hazaar chaurasi ki ma, Sudhir Mishra's Hazaaron khwaishein aisi, and Sanjiv Karambelkar's Lal salaam -- Nationalism, religion, and identity. The politics of Hindutva in Nandita Das' Firaaq, Rahul Dholakia's Parzania, and Rakesh Sharma's Final solution -- Gender, home, and displacement in Sabiha Sumar's Khamosh pani, Shoaib Mansoor's Khuda kei liye, Shyam Benegal's Mammo, and Meena Nanji's A view from a grain of sand -- Nationalism and ethnic struggle. Subjectivity, choice, and feminist agency in Santosh Sivan's The terrorist and Beate Arnestad's My daughter the terrorist -- Heteronormativity, "difference", and the construction of a subversive femininity. Gender, identity, and the diaspora in Gurinder Chadha's Bhaji on the beach and Sarah Gavron's Brick lane -- Conclusion.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 0 a| Motion picturesx| Social aspectsz| South Asia.=| ^A45929;

650 0 a| Motion picturesx| Political aspectsz| South Asia.=| ^A17985;

650 0 a| Motion picturesx| Religious aspectsz| South Asia.=| ^A373593;

650 0 a| Women in motion pictures.=| ^A54881;

650 0 a| Feminism and motion pictures.=| ^A156723;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=1016060;

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Narratives of gendered dissent in South Asian cinemas / Alka Kurian.

Author/creator	Kurian, Alka, 1963-
Format	Electronic
Publication Info	New York : Routledge,
Description	xii, 195 p. : ill. ; 24 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Motion pictures--Social aspects. --South Asia. Motion pictures--Political aspects. --South Asia. Motion pictures--Religious aspects. --South Asia. Women in motion pictures. Feminism and motion pictures.

Series	Routledge advances in film studies ; 12
Contents	Introduction -- Class, caste and social exclusion. Subalterneity and resistance in Shyam Benegal's Nishaant and Manthan -- Radical politics and gender in Govind Nihalani's Hazaar chaurasi ki ma, Sudhir Mishra's Hazaaron khwaishein aisi, and Sanjiv Karambelkar's Lal salaam -- Nationalism, religion, and identity. The politics of Hindutva in Nandita Das' Firaaq, Rahul Dholakia's Parzania, and Rakesh Sharma's Final solution -- Gender, home, and displacement in Sabiha Sumar's Khamosh pani, Shoaib Mansoor's Khuda kei liye, Shyam Benegal's Mammo, and Meena Nanji's A view from a grain of sand -- Nationalism and ethnic struggle. Subjectivity, choice, and feminist agency in Santosh Sivan's The terrorist and Beate Arnestad's My daughter the terrorist -- Heteronormativity, "difference", and the construction of a subversive femininity. Gender, identity, and the diaspora in Gurinder Chadha's Bhaji on the beach and Sarah Gavron's Brick lane -- Conclusion.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2011037531
ISBN	9780415961172 (alk. paper)

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