| Series |
Routledge advances in film studies ; 18
|
| Contents |
Introduction -- Collective and cultural memory and their limitations: postmemory and cinematic modes of representations -- The Spanish Civil War: cinematic postmemories of the "last great cause" -- Cinematic representations of the Irish Civil War: Michael Collins and The wind that shakes the barley -- Cinematic representations of the former Yugoslavian civil war: Underground and No man's land -- Representation of the Greek Civil War in Theo Angelopoulos's The travelling players: the uses of intertextuality. |
| Bibliography note | Includes bibliographical references (p. [175]-183), filmography (p. [175]-174) and index. |
| Access restriction | Available only to authorized users. |
| Technical details | Mode of access: World Wide Web |
| Genre/form | Electronic books. |
| LCCN | 2012007624 |
| ISBN | 9780415523202 |
