1968 and global cinema / edited by Christina Gerhardt and Sara Saljoughi.

Format Electronic
PublicationDetroit, Michigan : Wayne State University Press, [2018]
Copyright Date©2018
Description1 online resource (vii, 422 pages) : illustrations.
Supplemental ContentProQuest Ebook Central
Subjects
Motion pictures--History. --20th century.

Other author/creatorStam, Robert, 1941- contributor.
Other author/creatorSaint, Lily, contributor.
Other author/creatorGiansante, Rocco, contributor.
Other author/creatorHames, Peter, contributor.
Other author/creatorGrandis, Rita de, contributor.
Other author/creatorAdamson, Morgan, contributor.
Other author/creatorDesser, David, contributor.
Other author/creatorStout, Graeme, contributor.
Other author/creatorSaljoughi, Sara, editor, contributor.
Other author/creatorGerhardt, Christina editor, contributor.
SeriesContemporary approaches to film and media series
Contemporary approaches to film and media series. ^A1154805
Contents Introduction: Looking Back: Global Cinema and the Legacy of New Waves around 1968 / Christina Gerhardt and Sara Saljoughi -- I. The Long Sixties: Cinematic New Waves -- 1. The "Long 1968" and Radical Film Aesthetics / Robert Stam -- 2. "What Am I Doing in the Middle of the Revolution?": Ennio Morricone and The Battle of Algiers / Lily Saint -- 3. Before the Revolution: The Radical Anxiety of Paulo Rocha's Cinema / Rocco Giansante -- 4. The Czechoslovak New Wave Revisited / Peter Hames -- 5. Internationalism and the Early Student Films of the German Film and Television Academy Berlin (dffb) / Christina Gerhardt -- 6. The Hour of the Furnaces: A Film "Happening" / Rita de Grandis -- 7. Toward a New Mode of Study: The New Student Left and the Occupation of Cinema in Columbia Revolt and The Battlefront for the Liberation of Japan--Summer in Sanrizuka / Morgan Adamson -- 8. Oshima, Korea, and 1968: Death by Hanging and Three Resurrected Drunkards / David Desser -- 9. The Hypothetical and the Experimental: Reading Lindsay Anderson's If . . . Alongside Pier Paolo Pasolini's Teorema / Graeme Stout -- 10. Obscurity, Anthologized: Non-Relation and Enjoyment in Love and Anger (1969) / Mauro Resmini -- II. Aftershocks -- 11. Re-presenting the "Just Image": Godard-Gorin's Vent d'est and the Radical Thwartedness of Maoist Solidarity after May 1968 / Man-tat Terence Leung -- 12. Medium UnCool: Women Shoot Back; Feminism, Film, and 1968-- A Curious Documentary / Paula Rabinowitz -- 13. Third Cinema in the First World: L.A. Rebellion and the Aesthetics of Confrontation / Allyson Nadia Field -- 14. The Politics of (In)Action: Humanism, Violence, and Revolution in Satyajit Ray's Pratidwandi/The Adversary / Sarah Hamblin -- 15. Maysles Films: Some Paradoxes of Direct Cinema in the 1960s and 1970s / J. M. Tyree -- 16. The Rhetoric of Parapraxis: The 1967 Riots and Hong Kong Film Theory / Victor Fan -- 17. Cultural Revolution Models on Film: The Third World Politics of Self-Reflexivity in On the Docks (1972) / Laurence Coderre -- 18. Workers Interrupting the Factory: Helena Lumbreras's Militant Factory Films between Italy and Spain (1968-78) / Pablo La Parra-Pérez -- 19. Political Cinema, Revolution, and Failure: The Iranian New Wave, 1962-79 / Sara Saljoughi.
Bibliography noteIncludes bibliographical references (pages 381-384) and index.
Source of descriptionOnline resource; title from PDF title page (EBSCO, viewed November 1, 2018).
Issued in other formPrint version: 1968 and global cinema. Detroit : Wayne State University Press, [2018] 9780814342930
Genre/formElectronic books.
Genre/formElectronic books.
Genre/formHistory.
LCCN 2017959379
ISBN0814342949
ISBN9780814342947 (electronic bk.)

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