| Series |
Routledge studies in media and cultural industries ; 3
Routledge studies in media and cultural industries ; 3. ^A1384722
|
| Contents |
Cultural globalization through film co-productions in the Asia-Pacific region / Dal Yong Jin -- Fast boats from Hollywood to China-vice versa-or ships passing in the night? The PRC meets the NICL / Toby Miller -- Sleeping with the intimate "enemy"? Dynamics and precarities of Chinese co-productions in the case of the "Korea ban" / Lisa Leung -- Post-2014 Chinese-Korean film co-production: nation branding via online film publicity / Elian Chung -- Hindi Chini bhai bhai: examining India-China co-production deals in globalized media markets / Ruhi Khan -- International film co-productions as a new harbour of nationalistic communication amid regional "imagined communities": the case of China and Korea / Mi Sook Park -- Is the China party over?: global integration, state intervention, and changing China-Hollywood relations: 2014-2018 / Wendy Su -- Seeking a global audience: transnational narrative strategies of the Netflix original movie, Okja / Dong-Hoo Lee -- Influential factors for producing film co-productions between Korea and New Zealand / JuHee Kim -- Co-producing with the other side of the world: Argentine-Korean films and international film festivals / Lucía Rud -- Connecting with China, Hollywood and film festivals: the collaboration and co-production of Taiwanese filmmakers in the era of neo-liberal globalization / Jocelyn Yi-Hsuan Lai -- Beyond Japan-Taiwan coproduction: intertextuality and elliptical figures in Hou Hsiao-hsien's Café lumière / Michelle Bloom and Satoko Kakihara -- Seoul-Hong Kong-Macau: Love with an alien (1957) and postwar Korea-Hong Kong coproduction / Sangjoon Lee -- Docu-reality and empathy in Bloodless (2017): a manifesto for transnational virtual reality cinema / Luke Buckmaster and Brian Yecies -- Final recipe as a Pan-Asian co-production film: interview with director Gina Kim / Dal Yong Jin. |
| Abstract |
"This book examines cross-regional film collaboration within and beyond the Asia-Pacific region. Through a mixed methods approach of political economy and industry, market and textual analysis, the book contributes to the understanding of the global fusion of cultural products and the reconfiguration of geographic, political, economic, and cultural relations. Issues covered include: cultural globalization and Asian regionalization; identity, regionalism, and industry practices and inter-Asian and trans-Pacific co-production practices among the U.S., China, South Korea, Japan, India, Hong Kong, Argentina, Australia, Taiwan, and New Zealand"-- Provided by publisher. |
| Bibliography note | Includes bibliographical references and index. |
| Biographical note | Dal Yong Jin finished his Ph.D. at the Institute of Communications Research at the University of Illinois, Urbana-Champaign, in 2005. He has taught in three countries: the U.S., Canada, and Korea. Jin's major research and teaching interests are globalization and media, Korean cinema, Asian media studies, transnational cultural studies, new media and digital gaming, and the political economy of media and culture. He is the author of several books, including Smartland Korea: Mobile Communication, Culture and Society (University of Michigan Press, 2017), New Korean Wave: Transnational Cultural Power in the Age of Social Media (University of Illinois Press, 2016), Digital Platforms, Imperialism and Political Culture (Routledge, 2015), De-convergence of Global Media Industries (Routledge, 2013), and Korea's Online Gaming Empire (MIT Press, 2010). He has also edited several volumes, including Mobile Gaming in Asia: Politics, Culture and Emerging Technologies (Springer, 2016), The Political Economies of Media: The Transformation of the Global Media Industries (Bloomsbury, 2011), and Global Media Convergence and Cultural Transformation: Emerging Social Patterns and Characteristics (IGI Global, 2011). In addition, he has contributed numerous journal articles and book chapters. Wendy Su is Associate Professor of the Department of Media and Cultural Studies at University of California Riverside. She is the author of China's Encounter with Global Hollywood: Cultural Policy and the Film Industry, 1994-2013 (University Press of Kentucky, 2016). She has also published in a number of high-ranking academic journals including Pacific Affairs, International Journal of Cultural Policy, Critical Studies in Media Communication, Global Media and Communication, Journal of International Communication, and Asian Journal of Communication. She was a winner of the 2014 William L. Holland Prize for the best article granted by Pacific Affairs. Her research areas are global communication, Chinese media studies and cultural studies, transnational film studies, audience research, and Asian modernity. |
| Source of description | Description based on online resource; title from digital title page (viewed on May 30, 2019). |
| Issued in other form | Print version: Asia-Pacific film co-productions New York : Routledge, 2019 9781138325333 |
| Genre/form | Electronic books. |
| LCCN | 2019003429 |
| ISBN | 9780429450457 electronic book |
| ISBN | 0429450451 electronic book |
| ISBN | 9780429833748 electronic publication |
| ISBN | 0429833741 electronic book |
| ISBN | 9780429833755 electronic book |
| ISBN | 042983375X electronic book |
| ISBN | 9780429833731 electronic book |
| ISBN | 0429833733 electronic book |
| ISBN | hardcover alkaline paper |
| Standard identifier# |
10.4324/9780429450457 |
| Stock number | 9780429833748 Ingram Content Group |
