| Other author/creator | Puleo, Risa curator, editor. |
| Other author/creator | Arning, Bill, director, contributor. |
| Other author/creator | Zuluaga, Natalia, contributor. |
| Other author/creator | Magnet, Shoshana, contributor. |
| Other author/creator | Nelson, Robert S. contributor. |
| Other author/creator | Jones, Ben, active 1997 contributor. |
| Other author/creator | Sexton, Jared Yates contributor. |
| Other author/creator | Campbell, Andy, contributor. |
| Other author/creator | Holland, Unique, contributor. |
| Other author/creator | Alexander, Elizabeth contributor. |
| Other author/creator | Joselit, David contributor. |
| Other author/creator | Patten, Mary, contributor. |
| Other author/creator | Gould, Sam, contributor. |
| Other author/creator | Fleetwood, Nicole R. contributor. |
| Other author/creator | Lancaster, Roger, contributor. |
| Other author/creator | Papa, Anthony, contributor. |
| Other author/creator | Meiners, Erica R., contributor. |
| Other author/creator | Ross, Sarah, contributor. |
| Other author/creator | Tucker, Daniel, contributor. |
| Other author/creator | Contemporary Arts Museum (Houston, Tex.) issuing body, publisher, organizer, host institution. |
| Portion of title |
Artists confront the justice system |
| Contents |
Director's Foreword, Contemporary Arts Museum Houston / Bill Arning -- Publisher's Foreword: Time Looting, [NAME] / Gean Moreno and Natalia Zuluaga -- Introduction: Opening the Door / Risa Puleo -- Ground / Risa Puleo -- Capture -- Flattening the Body: Biometrics and the Reduction of Identity / Shoshana Magnet -- Blackness, Animality, and the Unsovereign / Che Gossett -- I Become a Nisei / Isamu Noguchi -- Display -- Class is in Session with Lenox Ave's favorite street philosopher, Otabenga Jones Esq. / Otabenga Jones & Associates -- Evaluate -- Roundtable on Prisons and Psychiatry -- Classify -- The Map of Art History (Excerpt) / Robert S. Nelson -- The Mug Shot: A Brief History / Shawn Michelle Smith -- The Black Panther as African Cat: Mondo we Langa and Criminal Blackness / Ben Jones -- From Tactic to Demand: HIV Visibility within a Culture of Criminalization / Karr, Theodore -- |
| Contents |
Extract -- 9102000 / Cameron Rowland -- Chilocco Indian Boarding School: The Prison-to-Prison Pipeline / K. Tsianina Lomawaima -- Captivity, By Turns: A Comment on the Work of Ashley Hunt / Jared Sexton -- Prison Maps: What is the Prison Industrial Complex?, 2003 (insert) -- Store -- The Schematics of Control: Robert Morris's Philadelphia 'Labyrinth' and 'In the Realm of the Carceral' / Campbell, Andy -- The Space of the Self: Robert Morris's 'In the Realm of the Carceral' -- Selections from 'In the Realm of the Carceral', 1978 / Robert Morris -- Figure / Risa Puleo -- Profile -- From Target to Testimony: Reflections on 'The Oakland Projects' / Holland, Unique -- Arrest -- 'Defacement', 1983 / Chaédria LaBouvier -- "Can you be BLACK and Look at This?": Reading the Rodney King Video(s) / Elizabeth Alexander -- 'The Eulogy', 2017 / Shaun Leonardo -- Material Witness: Visual Evidence and the case of Eric Garner / David Joselit -- The Time of Torture and the Time of Reparationg / Rebecca Zorach -- 'From the Speculative to the Living: Chicago Torture Justice Memorials', 2018 / Mary Patten -- |
| Contents |
Process -- 'Sgt. Kroll Goes to the Office', 2016 / Sam Gould -- Incarcerate -- Public Intimacy: Deana Lawson's 'Mohawk Correctional Facility' Series / Nicole R. Fleetwood -- "Sixteen" / Jimmy Santiago Baca -- Exit -- A Brief History of Sex Panic / Roger Lancaster -- Mike Kelley Paved My Way to Freedom / Anthony Papa -- Bridges / Risa Puleo -- Bridges -- "And What Happens to You Concerns Us Here": Imaginings for a (New) Prison Arts Movement / Erica R. Meiners and Sarah Ross -- "Walls Turned Sideways are Bridges": Carceral Scripts and the Transformation of the Prison Space / Rashad Shabazz -- Abolition Formats and Incompliance Aesthetics / Gean Moreno -- 'Mirror/Echo/Tilt' Curriculum / Melanie Crean, Shaun Leonadro, Sable Elyse Smith -- Reparations Won: A Case Study in Police Torture, Racism, and the Movement for Justice in Chicago (Curriculum Exerpt) -- 'The Knotted Line' (Curriculum Exerpt) / Evan Bissell and Ora Wise -- Tamms Is Torture: The Campaign to Close an Illinois Supermax Prison / Laurie Jo Reynolds and Stephen F. Eisenman -- 'WROL IRL', 2018 / Daniel Tucker and Rosten Woo -- Appendix. |
| Abstract |
Walls Turned Sideways: Artists Confront the Justice System features work by artists from across the nation that addresses the criminal justice system, mass incarceration, and the prison-industrial complex. Representing the full range of contemporary art production made in the studio and the social realm, the exhibition includes artworks that take social justice issues as a subject matter; and position the prison and court systems as structures for dismantling through institutional critique. The artworks in the exhibition are extraordinary for the scale and ambition by which they mobilize in order to bring visibility to offenses within the justice system. |
| General note | Library's copy has accompanying comic: "Sgt. Kroll goes to the office" (1 volume (unpaged) : illustrations ; 27 cm). |
| General note | "This publication accompanies Cheryl Donegan's exhibition, GRLZ + VEILS, organized by Aspen Art Museum and Contemporary Arts Museum Houston, and curated by Bill Arning and Heidi Zuckerman with Courtenay Finn and Lauren Fulton. The exhibition is on view at the Aspen Art Museum from June 29-December 16, 2018, and the Contemporary Arts Museum Houston from January 18-March 31, 2019." |
| Bibliography note | Includes bibliographical references (pages 369-370). |
| Genre/form | Exhibition catalogs. |
| Genre/form | Exhibition catalogs. |
| Genre/form | Essays. |
