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008 110822s2012 ilua sbq s001 0 eng d;

010 a| 2011034800;

016 7 a| 0160194752| Uk;

020 a| 9780252078415 (pbk. : alk. paper);

020 a| 0252078411 (pbk. : alk. paper);

020 a| 9780252036699 (cloth : alk. paper);

020 a| 0252036697 (cloth : alk. paper);

020 a| 40020553058;

020 z| 9780252093791q| (ebbok);

035 a| (WaSeSS)ssj0000711496;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| PN1998.3.K585b| C58 2012;

082 00 a| 791.4302/33092a| B2| 23;

100 1 a| Chung, Hye Seung,d| 1971-=| ^A703078;

245 10 a| Kim Ki-dukh| [electronic resource] /c| Hye Seung Chung.;

260 a| Urbana :b| University of Illinois Press,;

300 a| x, 161 p. :b| ill. ;c| 22 cm.;

490 0 a| Contemporary film directors;

504 a| Includes bibliographical references and index.;

504 a| Includes filmography.;

505 0 a| Beyond "extreme": the cinema of ressentiment. Kim Ki-duk: towards a more perfect imperfection -- An auteur is born: fishhooks, critical debates, and transnational canons -- On suffering and sufferance: postcolonial pain and the "purloined letter" in Address unknown -- Reconciling the paradox of silence and apologia: Bad guy, The isle, and 3-iron -- Neofeminist revisions: female bodies and semiotic chora in Birdcage inn and Samaritan girl -- The bodhisattva inner-eye: inwardly drawn transcendence in Spring, summer, fall, winter -- and spring -- Interview with Kim Ki-duk: from Crocodile to Address unknown / by Kim So-Hee.;

506 a| Available only to authorized users.;

520 8 a| This study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal pain and extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labelled a "psychopath" and "misogynist" in South Korea. Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's oeuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression).;

538 a| Mode of access: World Wide Web;

600 10 a| Kim, Ki-dŏk,d| 1960-x| Criticism and interpretation.?| UNAUTHORIZED;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=3414048;

947 a| (OCoLC)ocn747713071;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

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949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 4973707-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 12/5/2018x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 4973707-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 12/5/2018x| EBOOKz| HERESOURCE;

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Kim Ki-duk / Hye Seung Chung.

Author/creator	Chung, Hye Seung, 1971-
Format	Electronic
Publication Info	Urbana : University of Illinois Press,
Description	x, 161 p. : ill. ; 22 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Kim, Ki-dŏk, 1960---Criticism and interpretation.

Series	Contemporary film directors
Contents	Beyond "extreme": the cinema of ressentiment. Kim Ki-duk: towards a more perfect imperfection -- An auteur is born: fishhooks, critical debates, and transnational canons -- On suffering and sufferance: postcolonial pain and the "purloined letter" in Address unknown -- Reconciling the paradox of silence and apologia: Bad guy, The isle, and 3-iron -- Neofeminist revisions: female bodies and semiotic chora in Birdcage inn and Samaritan girl -- The bodhisattva inner-eye: inwardly drawn transcendence in Spring, summer, fall, winter -- and spring -- Interview with Kim Ki-duk: from Crocodile to Address unknown / by Kim So-Hee.
Summary	This study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal pain and extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labelled a "psychopath" and "misogynist" in South Korea. Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's oeuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression).
Bibliography note	Includes bibliographical references and index.
Bibliography note	Includes filmography.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2011034800
ISBN	9780252078415 (pbk. : alk. paper)
ISBN	0252078411 (pbk. : alk. paper)
ISBN	9780252036699 (cloth : alk. paper)
ISBN	0252036697 (cloth : alk. paper)
ISBN	40020553058
ISBN	(ebbok)

Kim Ki-duk / Hye Seung Chung.

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